I remember it began: "I remember something made me read this old blog post of mine, from 2013, when I had a little project going where I'd take one sentence from 'The Great Gatsby' and present it for discussion.... The sentence of the day was 'I remember the fur coats of the girls returning from Miss This-or-That’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: 'Are you going to the Ordways'? the Herseys'? the Schultzes'?' and the long green tickets clasped tight in our gloved hands.'"
I'm looking back at that post because I just did a search of my archive for "Brainard," because I'm reading a new article in The New Yorker, by Joshua Rothman, "What Do You Remember? The more you explore your own past, the more you find there" and it begins: "Last year, for my birthday, my wife gave me a copy of 'I Remember,' an unusual memoir by the artist Joe Brainard. It’s a tidy little book, less than two hundred pages long, made entirely from short, often single-sentence paragraphs beginning with the words 'I remember.'"
Writing about that "Gatsby" sentence, I'd said: "Things remembered: fur coats, chatter, hands waving, matchings of invitations, and long green tickets. These remembered things give the reader a sense of the incompletely delineated human beings.... This is a mass of faceless humanity, cluttered with hands, waving and clasping.... " And a commenter, gadfly, said: "Althouse is doing her Joe Brainard, 'I Remember' schtick - but she can't top the master." He quoted Brainard's book, and it was obviously my kind of thing — very sentence-y. I immediately read it. I'll read it again, now that I'm reminded of it.
But what is Joshua Rothman saying about it?