The last remaining column factory in New York City.

A documentary about the American Wood Column Corp, which has preserved traditional wood manufacturing inside what is a beautiful building. 

3 very different places to live.

These 3 architectural idiosyncrasies charmed me today:

"Taking into account the space a building would need to leave from the highway, the water and neighboring properties..."

"... as well as a requirement to position the foundation well above flood level, Schwartz and Architecture outlined the maximum allowable building envelope for a home, which was tiny. But, within that envelope, the architects managed to design a 730-square-foot, single-story cottage elevated on tall posts, with a single bedroom and bathroom...."

I'm reading "Even the Architects Said the Build Would Be Nearly Impossible/An architect and his client overcame a steep site and regulatory hurdles to build a 730-square-foot house that hovers over the water in Sonoma County, Calif." (NYT gift link).

"Throughout the journey, Dr. Tang-Oxley frequently communicated with Mr. Schwartz by writing poems instead of providing more direct feedback.... It was a surreal play of disbelief, surprises and pure delights."

"Aimee Gardner and Dave Linnard were standing in the basement of their newly purchased, 1869 Hudson Valley fixer-upper when they heard a strange tinkling..."

"... like tiny drops of rain. They would soon learn this is the sound a lime mortar stone wall makes as its particles shift — right before it collapses. Seconds later, the entire north wall dropped vertically, some half a foot, with a thundering whoosh and an eruption of dust, leaving the floor above them precariously cantilevered. 'We’re just lucky it didn’t fall sideways,' Ms. Gardner said. It became another thing to add to the punch list as they restore their first home, a project that’s taken, so far, eight and a half years...."

From "When Even the Owners Call it ‘Disaster Mansion’/First-time buyers from the Bay Area won an abandoned house at a Kingston, N.Y. tax auction. Eight years later, they’re still restoring it" (NYT)(gift link, because it's pretty inspiring and actually kind of beautiful).

"The Vances’ henhouse is elevated — about two feet off the ground — and situated inside a shed that is protected from the elements...."

"The design is such that the owner does not have to walk through 'chicken droppings and chicken bedding' to tend to the birds. The keeper can access the hens via interior shed doors. The attached run is predator-proof... and includes a solid roof, which helps prevent avian flu from spreading to the flock, as it can be 'transmitted with migratory birds flying overhead'.... The [henhouse] has led to speculation that there may be political motivations behind the flock’s appearance. It’s a theory that resonates with Danny Bowers, who keeps 19 chickens on a suburban property in Utah County, Utah. Bowers, who uses they/them pronouns, points out that some conservatives have embraced the values espoused by 'trad wife' influencers, many of whom raise chickens."

I'm reading "The Vances added a chicken coop to the vice president’s residence. We had questions. Who will be raising the hens at the Naval Observatory? And why are the Vances taking on this project?" Thats a gift link, in case you want to get serious or laugh about henhousegate.

I love the sheer randomness of the pronoun preference of some guy in Utah who's got nothing to do with any of this other than that he too keeps chickens.

I'm going to assume that the reason for the chickens is to enrich the day-to-day life of the Vance's 3 — soon to be 4 — children.

It is an awfully posh henhouse. I can see why some people are envious... or trying to figure out if they should be envious:

"La la la la."

That's the call from the press as Trump arrives at Versailles Palace. 

Is that how reporters try to get a leader's attention in France? I don't think so. I think they would normally use "Mr. President." So is "La la la la" like shouting "Hey!"? No, I don't think that's the case either. I'm understanding "La la la la" as a more random filler sound. I consulted Grok: "'La la la la' functions more like rhythmic, attention-grabbing noise or an extension of the French interjection "Oh là là!" (often elongated for emphasis)."

"In 1968, Janet Malcolm visited a new showroom for high-end furniture that was, she wrote, among 'the most beautiful and interesting' in New York."

"The venue was designed by Warren Platner, an architect who himself designed furniture; Donald Trump would later acquire a set of his chairs, and sounded gratified when, during an interview in 2010, a reporter from the Times recognized them. Platner’s son, Bronson, went into law, in Maine; his son Graham studied at Hotchkiss, a tony boarding school in Connecticut, though he hated it, skipped classes, and was quickly kicked out. Graham transferred to a different private school closer to home, where he starred in a production of 'My Fair Lady.' He played Henry Higgins, the haughty phonetician who teaches a lower-class flower girl to speak proper...."

Those are the opening lines of an essay by Jon Allsop titled "The Changing Face of 'Authenticity' in Politics/What Graham Platner’s scandal-plagued Senate run says about a tired cliché" (The New Yorker).

Here's how Platner entered the political arena, last summer:

Allsop ponders "authenticity":

"The center’s mixed messaging is incarnated in the Janus-faced facade of the tower whose eccentric cuts and grooves from some angles..."

"... can bring to mind the heroic architecture of Louis Kahn or a Noguchi sculpture. When sunlight after a rain turns the gray stone pink, the building can look like a beacon. But from other angles, it’s cold and forbidding. That’s a jarring vibe for a project whose most groundbreaking ambition is to reimagine the presidential library as a warm, welcoming community hub.... From the street the carved granite words from Selma are illegible, the lettering bunched together like Cheerios in a box. Standing just below it in Jackson Park, the tower looms like a castle keep, its mass and height in tension with the park’s pastoral beauty and origins...."

Writes the NYT architecture critic Michael Kimmelman, in "Obama Center’s Two Sides: A Lovely Park and a Forbidding Tower/In Chicago, the $850 million Obama Presidential Center aims to remake a neighborhood with a 19.3-acre community hub and a brooding 225-foot museum." (NYT).

"What a welcome and much-needed reminder of a President who valued art, beauty, and decency. A glaring contrast to the garish, self-serving chaos of the current one."

Says one commenter at the NYT article "The Audacity of Art at the Obama Presidential Center/Barack and Michelle Obama commissioned 30 artists to create work for their campus, which starts visitor previews next week on the South Side of Chicago."

That's a gift link so you can see the photos of the artwork inside the building, which I think is quite good, and so you can gaze at the "View from the Sky Room" photograph that shows a view from the building, looking out through one of the letters of the text from an Obama speech that you can attempt to read if you stand on the ground and gaze upward at the building.

The view from the Sky Room is garish chaos, but the chaos seems designed to give ordinary citizens a place to play, that is, it's not trying to look good, it's trying to offer what can be used. Included in the play equipment is an N.B.A.-size basketball court and a "sledding hill." We'll see how much freewheeling tomfoolery unfolds in this space. The message is casual playfulness for the people, and it is in distinct contrast to the design ideas Trump has been imposing on the White House and elsewhere. His message is grandeur and elegance.

"Tapestries embroidered with Quranic verses were shipped from the Kaaba in Mecca, Islam’s holiest shrine. Tiles came from a mosque in Uzbekistan."

"A golden metal dome was made to replicate the architecture of ancient Syria. Jeffrey Epstein spent years making connections across the Middle East, in pursuit of business deals and two intertwined hobbies: acquiring rare Islamic artifacts with which to decorate an unusual building on his private island, and expanding his network of wealthy, powerful people...."

From "Epstein Obtained Objects From Islam’s Holiest Site for His Island 'Mosque'/Jeffrey Epstein’s messages cast light on an unusual building on his private island and show how his connections helped him secure tapestries from Mecca for it" (NYT)(gift link).

"His vision for an island shrine began while he was in a Palm Beach County, Fla., jail, having pleaded guilty to soliciting prostitution. Before his release in 2009, Mr. Epstein hired architects to design a 'hammam,' a Turkish bathhouse surrounded by 'Islamic gardening,' according to his correspondence. Mr. Epstein’s records show that in 2013, he sent Mr. Nicola a picture of the Yalbugah Hammam, a 15th-century bathhouse in Aleppo, Syria, with a golden dome, a recessed arch over the door and striped masonry, seeking sketches that would resemble it. Among other tasks, Mr. Epstein asked for a design replacing the Arabic word for God with his initials in English. 'Remember we saw the aribic writing in black and white,' he wrote to Mr. Nicola in an email plagued with his customary typos and misspellings. 'instead of allah, i thought j’s and e ‘s.'"

"On this occasion, I cannot help noticing the readjustments to the East Wing, Mr. President..."

"And I'm sorry to say that we British of course made our own small attempt at real estate redevelopment of the White House in 1814."

It's funny now.

Who will be around in 2213 to joke about the destruction of the World Trade Center?

"'It’s called charcoal,' Trump told reporters Thursday, touting the contrast with the White House’s white walls."

"The renovation project was begun last month, with the president eager to replace decades-old beige Tennessee flagstone with his handpicked dark granite slabs before the royal visit, said two people who spoke on the condition of anonymity to describe White House operations.... The president has personally inspected the renovations and offered feedback to workers, drawing on his experience as a builder, say current and former officials. He has interrupted policy meetings to extol the changes — a phenomenon captured on camera Thursday, when he repeatedly encouraged reporters attending a drug price announcement in the Oval Office to look at the new granite floor outside. 'It’s a beautiful job, and it’s going up nice,' the president said."

From "Trump eager to show off latest White House project to King Charles/The president’s black granite path is the newest change to the West Wing, following gold lettering, Oval Office gilding and a 'Presidential Walk of Fame'" (WaPo).

Some of us might feel — if we were to have installed a differently colored floor and kept pointing it out to visitors — embarrassed.

A look at Trump's Triumphal Arch... with the Lincoln Memorial in the background, at a distance.

From "Trump officials unveil designs for president’s controversial 250-foot arch/The arch is intended to commemorate the United States’ 250th anniversary. Military veterans have sued to halt the project, saying it would alter key views of Arlington National Cemetery" (WaPo)(gift link). Excerpt:

"A Visit to the Unabomber Cabin, 30 Years After the Arrest/A complicated piece of American heritage and culture sits intact in the F.B.I. headquarters."

This NYT article is inspiring 2 types of response response from commenters over there.

The first type:

Although this was quite the story 30 years ago, I have no interest in preserving this structure and potentially romanticizing or mythologizing it like we did with the outlaw murderer, Jesse James. Please don't speak of this killers hut in the same breath as Thoreau's or Lincoln's cabins. I say put a match to it and post the video. 

 The second:

Saying this may put me on a list, but everyone should read his manifesto, "Industrial Society and its Future." It's one of the most compelling and profound analyses of what ails the modern world I've ever read. Just to be clear: just because his ideas are worth engaging with doesn't remotely justify his barbaric crimes.

Let's judge the architecture of The Donald J. Trump Presidential Library.

🚨 FIRST LOOK: The Donald J. Trump Presidential Library is officially here.

Over the past six months, I have poured my heart and soul into this project with my incredible team at @Trump.

This landmark on the water in Miami, Florida will stand as a lasting testament to an… pic.twitter.com/azV1hx0HG2

— Eric Trump (@EricTrump) March 31, 2026

"Corinthian is the highest order, and that’s what our other two branches of government have."

"Why the White House didn’t originally use them, at least on the north front, which is considered the front door, is beyond me."

Said Rodney Mims Cook Jr., "the Trump appointee who chairs the Commission of Fine Arts, a federal panel charged with advising the president on design matters, said in an interview last week," quoted in "Appointee wants to replace White House columns with the ones Trump prefers/The head of a federal arts commission is proposing the more ornate Corinthian style for the nearly 200-year-old columns at the building’s front entrance" (WaPo)(gift link, so you can see the drawings showing the number and location of the longstanding Ionic columns and the Corinthian columns to be built in the new East Wing).

We're told that Trump prefers Corinthian columns but also that, according to a White House spokesperson, "there are no plans to change the existing Ionic columns outside the White House." It's just Cook spreading the alarm about redoing the scroll-y tops into those leafy tops.

Do you have any preference with regard to the tops of Greek columns? Do you care what it meant to the Greeks or even understand the notion of "the highest order"?

Oh, no!

It's just cruel. Please. This hurts my heart:

Gift link.

"Once a week, his maternal grandmother would come home from the market with a live carp... 'We’d put it in the bathtub... and I’d play with this fish for a day until she killed it and made gefilte fish.'"

From "Frank O. Gehry, Titan of Architecture, Is Dead at 96/He burst onto the scene with an attention-getting renovation of his Southern California home before going on to design some of the world’s most recognizable buildings" (NYT).

Like many Angelenos, he was drawn to the laid-back, anything-goes atmosphere of the city, whose mix of garish mansions, flimsy bungalows, vacant lots, Googie coffee shops and colorful billboards was the antithesis of East Coast architectural academicism. And he became close to a generation of Los Angeles artists... whose surfboard-inspired aesthetic and raw work spaces suggested an alternative to the chilly austerity of late Modernism and the reactionary tendencies of postmodernism.... “I was trying to use the dumb, normal materials of the neighborhood,” Mr. Gehry said years later. “There must have been half a dozen cars in various states of deconstruction sitting around on the lawns; there was chain link in people’s backyards. They thought that was normal.”

For more about the fish, see "Frank Gehry, Fish Lamps/Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career" (Gagosian.com).

"On July 10, Mattheis Johnson hopped a bus on a warm summer night to see a pop-up punk rock show at Seattle’s Gas Works Park, a hulking collection of steel towers, tanks and pipes..."

"... that has become one of the world’s most widely emulated examples of postindustrial landscape design. His parents felt nervous every time their 15-year-old son asserted his independence, but they also knew he needed adventures.... [A]s the concert wound down, Mattheis tried climbing the park towers....  He lost his footing, fell 50 feet and died at a nearby hospital...."

From "After Teen’s Death, a Seattle Icon Confronts a New Label, Nuisance/For years, architects and design experts have resisted safety changes at Seattle’s Gas Works Park, but after a teenager died there this summer, his parents want it declared a public nuisance" (NYT).

"Mr. Trump is aware of the criticism that his ballroom plans are too large."

"He told a group of donors to the project last month that he didn’t want the new ballroom to 'dwarf anything.' But at the same event, in discussing related plans to construct a Triumphal Arch, Mr. Trump showed small, medium and large options. 'I happen to think the large looks by far the best,' he said.... 'We started with a much smaller building, and then I realized, we have the land, let’s do it right,' Mr. Trump said recently to donor... Speaking of the design plans for the new ballroom, Mr. Trump has said that he likes to see different proposals, but that he ultimately has the final say. 'I consider myself an important designer,' Mr. Trump has said."

From "Inside Trump’s Push to Make the White House Ballroom as Big as Possible/President Trump’s ever-growing vision has caused tension with contractors. His architect has taken a step back as the president personally manages the project" (NYT).