"I have to say, I’m pretty much on my own with this question, and I’m at a loss."

Said the director Wim Wenders, 80, asked about his movie "Wrong Move" (1975) which made the now easily perceptibly wrong move of gazing at the breasts of a 13 year old. But what to do about that now?

I'm reading, "Wim Wenders Pulls Film With Teenage Nudity After Actress’s Pleas/Nastassja Kinski was 13 years old when she was shown topless in the 1975 film 'Wrong Move.' 'I could already tell that wasn’t right,' she told a German newspaper" (NYT).

"On Wednesday, Wenders released a statement on his foundation’s website," the NYT says, linking to a German text. I used Grok to put it in English:

"Too much choice is not a good thing. The anxious person is the one who doesn’t know what to do because..."

"... she can do so many things. The neurotic individual is paralysed by the sense that he can’t make the right decision because another one is always available to him. The apparently limitless options afforded to us by dating apps and social media has not made us more content; it has merely intensified our longing."

From "Make coffee. Shower. Clean the loo. In an age of choice, rituals are the key to happiness/Wim Wenders’ film Perfect Days is on to something with its depiction of main character Hirayama’s calm, habitual life" (The Guardian).

From The Guardian review of the movie:

"Singing and acting are actually very similar things. Anyone can sing and anyone can be a film actor. All you have to do is learn."

"I learned to sing when I was a child I had a babysitter named Thelma. She was 18, I was six, and I was in love with her. I used to sing her an old Jimmie Rodgers song, 'T for Thelma.' [He sings:] 'T for Texas, T for Tennessee, T for Thelma, that girl made a wreck out of me.' [He smiles:] I was singing the blues when I was six. Kind of sad, eh?"

Blogged here in 2013. He was Harry Dean Stanton, who died yesterday at the age of 91. Here's the NYT obit. Excerpt:

[H]e remained largely unknown to the general public until 1984, when the seemingly impossible, or at least the unexpected, happened: Mr. Stanton, the quintessential supporting player, became a leading man.

That year he starred as a wandering amnesiac reunited with his family in Wim Wenders’s “Paris, Texas,” which won the Palme d’Or at the Cannes Film Festival, and as a fast-talking automobile thief training Emilio Estevez in the ways of his world in Alex Cox’s cult comedy “Repo Man.”...

Mr. Stanton was never anonymous again, although he continued to make his contributions almost entirely in supporting roles. He played Molly Ringwald’s underemployed father in the teenage romance “Pretty in Pink” (1986), the apostle Paul in Martin Scorsese’s “The Last Temptation of Christ” (1988), a private eye in David Lynch’s “Wild at Heart” (1990), a judge in Terry Gilliam’s “Fear and Loathing in Las Vegas” (1998), the hero’s ailing brother in Mr. Lynch’s “The Straight Story” (1999), a veteran inmate cheerfully testing the electrocution equipment in “The Green Mile” (1999) and Charlie Sheen’s father in “The Big Bounce” (2004)... [and] Roman Grant, a self-proclaimed prophet with 14 wives, on [HBO's] “Big Love”...

I have a shred of sympathy for the Hollywood celebrities who defend Roman Polanski.

I think these people are not really very politically savvy, though they want to look engaged and good. They're surrounded by people who tell them what views to reflect and they got a clear message that made them think this was another easy one. And now, the backlash comes. Oh, poor celebrities! They just tried to say what their all-encompassing environment made them feel was good to say. Have a little compassion. It's not like they raped a kid.

***

Here's the NYT editorial:

From across Europe, nearly 100 representatives of the entertainment industry, including Pedro Almodóvar and Wim Wenders, signed a petition declaring themselves “dismayed” by the arrest, especially since it happened at the time of the Zurich Film Festival....

In Europe, the prevailing mood — at least among those with access to the news media — seemed to be that Mr. Polanski has already “atoned for the sins of his young years,” as Jacek Bromski, the chief of the Polish Filmmakers Association, put it.

We disagree strongly, and we were glad to see other prominent Europeans beginning to point out that this case has nothing to do with Mr. Polanski’s work or his age. It is about an adult preying on a child. Mr. Polanski pleaded guilty to that crime and must account for it.

Wow... atoned for the sins of his young years. Polanski was 44 when he raped the 13-year-old girl. 44! Young years! What a long long time some people would give men to run wild!