"I affirm whatever I think has the best chance of working, of being both inspirational and unsentimental, of reasoning across the categories of false division and beyond the decoy of race."

Said Stanley Crouch, quoted in "Stanley Crouch, Critic Who Saw American Democracy in Jazz, Dies at 74/A prolific author, essayist, columnist and social critic, he challenged conventional thinking on race and avant-garde music" (NYT).

Espousing that pragmatism, he found ready adversaries among fellow Black Americans, whom he criticized as defining themselves in racial terms and as reducing the broader Black experience to one of victimization. He vilified gangsta rap as “‘Birth of a Nation’ with a backbeat,” the Rev. Al Sharpton as a “buffoon,” the Nation of Islam leader Louis Farrakhan as “insane,” the Nobel laureate Toni Morrison “as American as P.T. Barnum” and Alex Haley, the author of “Roots,” as “opportunistic.”

By contrast, he venerated his intellectual mentors James Baldwin, Ralph Ellison and Albert Murray, who, by his lights, saw beyond the conventions of race and ideology while viewing the contributions of Black people as integral to the American experience.