Golden Globe nominations are out.

 See the list at People.com.

I don't care other than that "A Complete Unknown" is thought to be good. It's nominated as best drama motion picture and Timothée Chalamet is nominated as best male actor in a drama (in the role of Bob Dylan) and Edward Norton is nominated as best male actor in a supporting role in a drama (playing Pete Seeger). 

Tim will need to compete with the actor who plays Donald Trump in "The Apprentice," and Ed will need to compete with Jeremy Strong, who plays Roy Cohn in "The Apprentice." 

And I love seeing that Pamela Anderson is in the running for best "female actor" in a drama. She's got to compete with Angelina Jolie, Nicole Kidman, Tilda Swinton, Kate Winslet — all famously great at acting in big dramas. You've got to root for the underdog there, but then there's one more nominee, Fernanda Torres for something called "I’m Still Here." I don't know anything about that, so... whatever... Pam or Fernanda. But I will watch Angelina Jolie in "Maria," because it's already on Netflix, starting Wednesday. That probably suggests it's not that good, but it costs nothing in time/money to take a look.

"Some people call these ‘folk songs.' Well, all the songs that I’ve heard in my life was folk songs. I’ve never heard horses sing none of them yet!"

Said Big Bill Broonzy, in 1956, as he was performing "This Train (Bound for Glory)" alongside Pete Seeger to an audience of college students.

Quoted in "Black Folk Musicians Are Reclaiming the Genre/In returning to a songbook that is decades — if not centuries — old, a new generation of performers is expanding the definition of what their traditional art form can be" (NYT).

"Folk," meaning people in general, goes back to Old English.

The Oxford English Dictionary traces it back as far as 999: "Þa elkede man fram dæge to dæge, & swencte þæt earme folc þe on ðam scipon lagon." Chaucer used it, in Middle English, c1405, that's surprisingly readable: "Vp on thise steedes, grete and whyte Ther seten folk."

And here's Alexander Hamilton, with American terseness: "There were Folks killed in 1723." That made me think of Ilhan Omar's "Some people did something."

IN THE COMMENTS: James K said:

Incidentally, the Alexander Hamilton who said "There were Folks killed in 1723" is not the Alexander Hamilton who co-wrote the Federalist Papers. It was some other guy with the same name.

And I see at the link that the other Alexander Hamilton was not an American, but a Scot. So that must be Scottish terseness. And I am retrospectively less reminded of Ilhan Omar.

"What 'Beans' says, basically, is that people don't listen at all."

That's Len Chandler, who "never achieved the name recognition of some of those with whom he shared stages and causes" but "did write at least one song with lasting appeal: 'Beans in My Ears,' which the Serendipity Singers turned into a Top 30 hit in 1964."

Iconoclasm.

"Trump’s Star on Hollywood Walk of Fame Destroyed With Pickaxe" (Daily Beast).

"Multiple people—including police—tell me a man walked up with a guitar case and pulled out the pick axe. Then, it’s believed, he called police himself to report it, but left the scene before they got here. Now, he’s nowhere to be found."

Guitar case, eh? Reminds me of gentler times, when Woody Guthrie had a sign on his guitar, "This Machine Kills Fascists."



No, it wasn't really gentler times! It was 1941, and Woody was doing "Talking Hitler's Head Off Blues."

"This Machine Kills Fascists" has its own Wikipedia page. There, we learn that in later years, Pete Seeger had "This Machine Surrounds Hate and Forces it to Surrender" on his banjo — as he sang "Waist Deep in Big Muddy," protesting the Vietnam War.

And Donovan had "This machine kills" on his guitar — and explained that "fascism was already dead" and his "machine would kill greed and delusion." Delusion!? Yes, Donovan can help with delusions — Get together/Work it out/Simplicity/Is what it's about...

But today's news is of a pickaxe in a guitar case. The destruction is direct — smashing with a tool — not indirect like music that has to enter the human mind and motivate the action of others.

By the way, a submachine gun in a violin case is a TV Trope: "This has been done so much that nowadays when some people see a violin case, they assume it contains firearms." Jinx in "League of Legends" says, "What's in my violin case? Violence!"

Now, that guy with the pickaxe used his tool to destroy, but he didn't destroy a man. He didn't "kill fascists." He destroyed an inanimate thing. And that's iconoclasm:

Iconoclasm is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons....

"We Shall Overcome" is now in the public domain.

Changing "will" to "shall" was insufficiently original to turn the old spiritual into a new, copyrightable song, the federal judge ruled last September. How much money did Pete Seeger et al. rake in royalties before two film documentarians balked at paying "as much as $100,000 to use it in several critical scenes" and sued? But maybe that one judge is wrong, an more litigation would vindicate the copyright holder.  The case is now settled, we're told (NYT), seemingly because the royalties were less than the lawsuit was costing.

The erstwhile copyright holder seeks credit for having donated the royalties all these years to something called the "We Shall Overcome Fund" and for having “carefully vetted” the uses of the song. It warns us that now the song can be used “in any manner they wish, including inaccurate historical uses, commercials, parodies, spoofs and jokes, and even for political purposes by those who oppose civil rights for all Americans.”

That's called free speech. And the use of the song in parodies, spoofs, and jokes would should already have been permitted as a matter of fair use and freedom of speech — though not (until now) without a fear of litigation.

By the way, what is the good reason for changing "We will overcome" to "We shall overcome"? I can't think of one.

IN THE COMMENTS: Unknown tries to answer my question:

Shall has a softer feel and implies it will take longer and require perseverance?"

I say:

I thought of this and considered it not a "good reason."

I think "will" suggests that the people singing the words have a will and are ready to act to get what they want.

"Shall" suggests that they are passively waiting for the predicted future to arrive. I guess it's expressive of the nonviolence theme that helped white people feel the feelings that were necessary to achieve the desired results.

Don't say: I want something and I'm going to take it. Say: I believe that you will perceive that I deserve this and give it to me.

I can't remember where I originally read this example but picture a drowning man saying: "I will die, no one shall save me" or "I shall die, no one will save me." The first sentence is properly understood as the words of a man intentionally drowning himself and warning off would-be rescuers. He's informing us that he's committing suicide. The second sentence expresses despair over accidental drowning and the absence of a rescuer. I think there are old jokes based on this distinction, in which a member of a supposedly uneducated ethnic group is allowed to drown because he didn't know the proper shall/will distinction.

"I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs."

"I think these are very improper questions for any American to be asked, especially under such compulsion as this," said Pete Seeger, in 1955, subpoenaed to testify before a thing we used to have called the House Un-American Activities Committee. They thought he was a Communist, and he was a communist. "With a small 'c,'" he liked to say. He'd been a Communist with a capital C too, but he'd quit, and he said he should have quit earlier.

His group The Weavers had been a success, with records like "Kisses Sweeter Than Wine" (1951), but getting called a communist — and actually being one — wrecked the commercial path forward.

Mr. Seeger was indicted in 1957 on 10 counts of contempt of Congress. He was convicted in 1961 and sentenced to a year in prison, but the next year an appeals court dismissed the indictment as faulty. After the indictment, Mr. Seeger’s concerts were often picketed by the John Birch Society and other rightist groups. “All those protests did was sell tickets and get me free publicity,” he later said. “The more they protested, the bigger the audiences became.”

By then, the folk revival was prospering. In 1959, Mr. Seeger was among the founders of the Newport Folk Festival. The Kingston Trio’s version of Mr. Seeger’s “Where Have All the Flowers Gone?” reached the Top 40 in 1962, soon followed by Peter, Paul and Mary’s version of “If I Had a Hammer,” which rose to the Top 10.

Much more in the long NYT article at the link, including his education at Harvard; his encounter with the folklorist Alan Lomax, and, through Lomax, Lead Belly; his alliance with Woody Guthrie, traveling around playing for migrant workers in 1940; his WWII-era group the Almanac Singers, who played anti-war and then antifascist songs; campaigning for presidential candidate Henry Wallace in 1948; his central place in the great folk music revival circa 1960; playing "We Shall Overcome" at Civil Rights Movement rallies; and getting betrayed by Bob Dylan.

Imagine experiencing nearly a century of American history from such a central place. What a lucky man. Pete Seeger lived to be 94.

"We have no relation to Mr. Snowden, his relations with the American justice or his travel around the world."

"He chooses his route himself, and we have learned about it from the media," said Russia's foreign minister Sergey Lavrov.

"We consider the attempts to accuse Russia of violation of U.S. laws and even some sort of conspiracy, which on top of all that are accompanied by threats, as absolutely ungrounded and unacceptable," Lavrov said. "There are no legal grounds for such conduct of U.S. officials, and we proceed from that."

I think back to what Michael Haz wrote in the comments to yesterday's Edward Snowden post:

Mr. Snowden, his computers and everything stored in his brain are now in possession of the KGB. He will now fully understand the meaning of the word 'disappeared'.

The press, the Department of State and Barack Obama have all been played for the rubes they are by Vladimir Putin. And there is nothing any of them can do about it. The amateurs have met the pro, and the pro won, then erased all tracks.

Meanwhile, 20 or so reporters were thrown way off the track as they happily enclosed themselves in a Snowdenless, Cuba-bound metal tube for 12 hours. What newsless meditations did they hammer out for publication? The New Yorker's John Cassidy lambasted the on-the-tube, not-in-the-tube newsmediafolk like David Gregory who, he asserts, have demonized Edward Snowden:

Snowden took classified documents from his employer, which surely broke the law. But his real crime was confirming that the intelligence agencies, despite their strenuous public denials, have been accumulating vast amounts of personal data from the American public. The puzzle is why so many media commentators continue to toe the official line. About the best explanation I’ve seen came from Josh Marshall, the founder of T.P.M., who has been one of Snowden’s critics. In a post that followed the first wave of stories, Marshall wrote, “At the end of the day, for all its faults, the U.S. military is the armed force of a political community I identify with and a government I support. I’m not a bystander to it. I’m implicated in what it does and I feel I have a responsibility and a right to a say, albeit just a minuscule one, in what it does.”

In the end, for all its faults... Marshall's going all last-paragraph-of-"1984." ("O cruel, needless misunderstanding! O stubborn, self-willed exile from the loving breast! Two gin-scented tears trickled down the sides of his nose. But it was all right, everything was all right, the struggle was finished. He had won the victory over himself. He loved Big Brother.") Except... Marshall never resisted.

Back to Cassidy:

I suspect that many Washington journalists, especially the types who go on Sunday talk shows, feel the way Marshall does, but perhaps don’t have his level of self-awareness. It’s not just a matter of defending the Obama Administration, although there’s probably a bit of that. 

Oh, just a tad. Probably! But...

It’s something deeper, which has to do with attitudes toward authority. Proud of their craft and good at what they do, successful journalists like to think of themselves as fiercely independent. 

Like to... but trapped on Aeroflot flight to Cuba, you start noticing your lack of independence. And those journalists who didn't get bamboozled into your lamentable predicament look so enragingly smug.

It’s not surprising that some of them share Marshall’s view of Snowden as “some young guy I’ve never heard of before who espouses a political philosophy I don’t agree with and is now seeking refuge abroad for breaking the law.”

A political philosophy I don’t agree with.... What is that? Resistance to big government? Cassidy — who says — he's "with Snowden" because he's "the underdog" — ends with "Which side are you on?" which is the title of an old union song. Here's Pete Seeger singing it. Bob Dylan repurposed it in "Desolation Row":

Praise be to Nero’s Neptune
The Titanic sails at dawn
And everybody’s shouting
“Which Side Are You On?”

Unlike the Titanic, the Aeroflot flight reached its destination uneventfully.

All these people that you mention
Yes, I know them, they’re quite lame
I had to rearrange their faces
And give them all another name

"Reading Brooks’s laments about Snowden and 'the fraying of the social fabric,' I found myself thinking about Norman Rockwell..."

"... if not in the same way Brooks might. (In 2008, after what he saw as a rhetorical triumph by Sarah Palin, Brooks wrote, 'Somewhere in heaven Norman Rockwell is smiling.') The image that came to mind was one of the panels from Rockwell’s 'Four Freedoms' series: the one on freedom of speech, in which a man stands up at what looks like a town meeting. He might be about twenty-nine. He is wearing a work jacket, so maybe he’s a high-school drop-out. There are better dressed people in the hall. And they are listening to him."

Writes Amy Davidson in The New Yorker, with the sentimentality that Rockwell haters loathe about Rockwell. Here's the referenced Rockwell painting:



I was going to snark that there's no way that guy is 29, but then I asked Meade, "How old does this guy look," and he said, "29." And, "That's what guys who work on the farm look like when they're 29."

Then I tried my other idea: "How do we know he's not a communist, dressed that way to trick the naively idealistic Norman-Rockwell-loving folks of that small town? He's dressed like a folksinger. He could be Pete Seeger." And Meade said: "You can tell by that greasy dirt on his jacket. That guy does real work."

We talked about the difference between this idealized farmer — with his real dirt, in a real place, with real people — and Edward Snowden — who operated within computer networks and evanesced into Asia. But it's 2013, and maybe that Rockwell character does need to be a man detached from the American soil, floating out there in unmediated space. And yet — as Meade said — "He's Tea Party."

Sting, "Girl from the North Country"... Mark Knopfler – "Restless Farewell"...

Jackson Browne, "Love Minus Zero/No Limit
"...  Bryan Ferry, "Bob Dylan’s Dream"... Carly Simon, "Just Like a Woman
"... Bad Religion, "It’s All Over Now, Baby Blue"... My Chemical Romance, "Desolation Row"... Ke$ha, "Don’t Think Twice, It’s All Right
... Taj Mahal, "Bob Dylan’s 115th Dream"... Dave Matthews Band, "All Along the Watchtower"... Kris Kristofferson, "Quinn The Eskimo"... Eric Burdon, "Gotta Serve Somebody"... Marianne Faithful, "Baby Let Me Follow You Down"... Pete Seeger, "Forever Young"...

The full list. The one I'd be most interested in hearing? Oddly enough, it's Taj Mahal doing "Bob Dylan’s 115th Dream"... which just by chance is kind of Thanksgiving-appropriate:

I was riding on the Mayflower
When I thought I spied some land...
“I think I’ll call it America”
I said as we hit land
I took a deep breath
I fell down, I could not stand

Happy Thanksgiving, everyone. Here at Meadhouse, it's pre-dawn and we're eating pancakes. (We just invented peanut butter pancakes.) I'd give you an Amazon link for that Bob Dylan cover songs album so you could buy it, but it's not available yet. Feel free to buy something else at Amazon. For example, here's Taj Mahal album I really like. Listen to the title track.

Wisconsin State Employees Union, AFSCME Council 24, threatens to boycott businesses that don't put up window signs supporting the union.

It's sending around a letter:

"Failure to [display the sign] will leave us no choice but (to) do a public boycott of your business," the letter says. "And sorry, neutral means 'no' to those who work for the largest employer in the area and are union members."

Which side are you on? Cue Pete Seeger. Neutral means you on the boss's side. In the case of the public employees, that's... well, it's the taxpayers, isn't it? You'd better not not be on that side, you lousy scab.

The union-led effort is an outgrowth of a boycott campaign by the Wisconsin Professional Police Association and other unions in which M&I Bank and Kwik Trip were targeted because either the companies themselves or their executives supported Gov. Scott Walker's budget initiatives.

The police? I can't get my head around the concept of police involvement in boycotting businesses. That reads like pure corruption. I can't believe it's being done openly. Can someone explain to me how you can even argue that it is acceptable for police to extort political support from citizens?

Jim Haney, the outgoing head of Wisconsin Manufacturers & Commerce, a pro-business lobby, said... "It's kind of like the old protection racket... If you have the right sticker, we won't break your knees.' This is beyond the pale to force a small-business person to choose when they want to stay neutral. But that isn't good enough."

In the letter, [Jim Parrett, a field representative of Council 24 for Southeast Wisconsin] writes: "It is unfortunate that you have chosen 'not' to support public workers rights in Wisconsin. In recent past weeks you have been offered a sign by a public employee who works in one of the state facilities in the Union Grove area. These signs simply said, 'This Business Supports Workers Rights,' a simple, subtle and we feel noncontroversial statement given the facts at this time."

Meade and I talked to a several local business owners, after one protester threatened us and purported to "ban" us from various shops and restaurants in town. We wanted to know if we were still welcome, and everyone we spoke to wanted to be politically neutral.

Dylan's "Chronicles"--Chapter 1.

Bob Dylan begins his story with a scene where he meets Jack Dempsey, who, assuming this happened at all, thinks or acts like he thinks Bob Dylan is another boxer, and that scene sets the tone for the rest of the first chapter, where we see Dylan arrive in New York, interested in music, but even more interested in fighting his way to success. The first action we see him take is signing a contract with a music publishing company.

First song mentioned in the book: "Rock Around the Clock."


Most distinctive good friend in his early days in New York: Tiny Tim. "I gave the rest of my French fries to Tiny Tim."

Reason given for being outraged that Pete Seeger was blacklisted during the McCarthy Era: his ancestors came over on the Mayflower. Page 6.

Indication that the book could have been better edited: "What I did was come across the country from the Midwest ... straight out of Chicago ... eastbound through the state lines, Ohio, Indiana, Pennsylvania ..." Page 8.

First long passage of praise for a fellow music artist: pages 13-14. The artist is Ricky Nelson. "I felt we had a lot in common." But Ricky's days were numbered--unlike Dylan's.

UPDATED to put in the links.