"One fashionista visibly shuddered when asked her opinion. 'It was terrible. Just awful,' she said."

"'I mean, who was the stylist for that movie?' she gasped, hand to heart. (For the record, it was Molly Rogers, who took over from her mentor, the legendary Patricia Field, mid-way through filming as Fields’s 'dance card was full' with other projects such as Emily in Paris). Perhaps the worst criticism was aimed at the outfits Streep agreed to tolerate for her role. 'They put her in a coat with couch pillow tassels on it! It was criminally ugly,' said one aghast attendee. 'I’ll never get over it.' Or, as Peter Davis, the editor-in-chief of Avenue magazine, said, laughing: 'They should rename it The Devil Wears Bad Clothes.' He went on: 'The fashion was awful but not so bad it was good, like Ab Fab, which the filmmakers should have rewatched for inspiration before rebooting this cheesy, tacky, and worst of all, boring movie.'"

From "Why billionaire fashionistas hate The Devil Wears Prada 2/At an exclusive soiree on Billionaires’ Row celebrating a private screening of the sequel, guests bemoan sequins, sofa-esque tassels and a ‘lousy script'" (London Times).

"I assumed that I would at least meet with Streep so that she could study my mannerisms and pick up my Ohio accent."

"I straightened up my New Yorker office, expecting a call any day announcing that she was heading over. I mentioned it to friends at work—something along the lines of 'Oh, Meryl Streep might be dropping by, just in case you see a stranger wandering around,' and tried to imagine which gestures of mine she might focus on. Time passed. More time passed. I finally called Ed and asked him when Meryl was coming to see me. He told me she didn’t need to, because she had already created the character on her own."

Writes Susan Orlean, in 'The Making of “Adaptation'/When your quirky book becomes a quirkier movie" (The New Yorker).

"Ed" = Ed Saxon, a co-producer of the movie based on Orlean's book "The Orchid Thief."

"Some of my readers hated the movie and were angry that I had allowed 'The Orchid Thief' to be adapted in that way. My response was to remind them that nothing in the book had changed, no matter what the film had made of it.... We see books as beautiful and meaningful and important and profound, but we see movies as dreamlike. Being a character onscreen transports you forever into another, more enchanted realm."

"Just a heads-up."

Liberal woman informs everyone that she won't be dating white men anymore.

Groundbreaking information.pic.twitter.com/2lC5Kqm0Qb

— Defiant L’s (@DefiantLs) March 29, 2025

Ridiculous on so many levels, but I'm just going to highlight the exaggerated enunciation — "as a WHiTTTTe woman."

It made me think of this TikTok video criticizing Rachel Zegler ("Snow White") for over-enunciating:

"Is that about everything? Anyone else want to be arrested or killed before we wrap this fucker? Let's do the shot!"

The shot that is life is wrapped. It is about everything.

"Gene Hackman, actor who dazzled in spectrum of Everyman roles, dies at 95/He twice won Oscars for bringing humanizing depth to corrupt lawmen, from the raging cop in 'The French Connection' to the ruthless sheriff in 'Unforgiven'" (WaPo)(free-access link).

"The city’s sheriff’s department said there was no immediate indication of foul play in the deaths of Mr. Hackman and Betsy Arakawa. The exact cause of death had not been determined," and I think we can respectfully turn away. You don't need more information. But I see in other newspapers that their dog was also dead. You didn't need that to understand the cause of death.

Let's talk about the Gene Hackman movies you love. That clip is from one that I love, "Postcards From the Edge."

UPDATE: I wanted to close the door on the death scene, but now I am seeing: "Gene Hackman and wife’s death investigated as ‘suspicious’ after door was open, pills were found" (NY Post). I'm seeing that the wife was in one room with the dog and with "an open pill bottle and pills scattered around." Hackman was in another room.

UPDATE 2: Additional facts reported by the NYT: Arakawa's body was on the floor of a bathroom, and the dead dog was in a nearby closet. There were 2 other dogs that did not die. There was no gas or carbon monoxide leak. The bodies were discovered "after a maintenance worker made an emergency call." Hackman's body was in the mud room, and in the same stage of decomposition as Arakawa's. Both Hackman and Arakawa looked as though they had fallen. There was no sign of "trauma" (which I take to mean no sign that an intruder had fought with either of them).

"'One of the things that’s really interesting with Hume’s Treatise is that he introduces the term "sympathy" to explain why we have esteem for the rich and the powerful'..."

"... says Neil Charles Saccamano, associate professor of English at Cornell University. 'Hume talks about how the notion of property enters into why we esteem them – that they own things like houses and gardens.' The beauty of those objects, Saccamano says, is designed to produce pleasure in the owner of the object. 'And we others, who do not own this property, and are not rich and powerful, and who are of a lower class, we simply "sympathise" with the pleasure we anticipate that the owner of the property will receive from the objects,' he says. So, when we watch Meryl Streep and Steve Martin making late-night chocolate croissants at her bakery in It’s Complicated, the sense of pleasure and anticipation we take from the scene is as much about 'sympathising' with the luxuriousness of it all: the softly lit kitchen, the pastry against the cool marble counter, the exquisite indulgence of owning a bakery at all, let alone breaking in after hours for a little erotically charged patisserie-making.... 'And in [Hume]’s analysis, part of the pleasure of the owner is knowing that others envy them – or sympathise with their pleasure,' says Saccamano...."

From "Lights, camera, comfy furnishings: why the ‘beige chic’ of Nancy Meyers is having a revival/In her hit romcoms, the director’s sets were as popular as the films. Now trending on social media more than a decade after her last movie, her coveted look is back" (The Guardian).

"As an advertising copywriter in her 20s and early 30s, Ms. Weldon was associated with the enduring slogans 'Unzip a banana' and 'Go to work on an egg.'"

"Another offering — 'Vodka makes you drunker quicker' — was rejected by her bosses."

From "Fay Weldon, ‘She-Devil’ Author Who Challenged Feminist Orthodoxy, Dies at 91/By turns elusive and confessional in public, she used dark satire to explore the divides between men and women" (NYT). 

I'm not sure if I ever read the novel "She-Devil"...

The book tells the story of Ruth Patchett, a tall, clumsy woman whose husband, Bobbo, embarks on an affair with Mary Fisher, a wealthy, successful novelist who lives “in a high tower, on the edge of the sea,” as the opening lines put it.

Ruth narrates: “I am fixed here and now, trapped in my body, pinned to one particular spot, hating Mary Fisher. It is all I can do. Hate obsesses and transforms me: It is my singular attribution.” 

... but I love the movie:

"My mother is Circassian, her great grandmother was brought from the Caucasus to Istanbul as a concubine in Sultan Mahmud II's harem."

"The concubines were removed from the Ottoman court after Mahmud II's death in 1839 and she was married to the imam of a local mosque."

Said Dr. Oz, back in 2012, quoted in "Dr Oz, Meryl Streep related through Ottoman harem." 

He said he learned about the common ancestry after Meryl Streep said "What's up cousin?" to him and, we're told, a DNA test confirmed the story, which I originally encountered at the Wikipedia page for Oz. 

Who are the Circassians?

"She wanted that hairstyle. She was so curious about why so many women have that hairstyle, especially on the Republican side of the ticket."

The "she" is Meryl Streep and the quote is from the hair person for the movie "Don't Look Up," in "Micro Bangs, Mullets, and a Republican Bob: Every Out-of-This World Hairstyle in Don't Look Up" (Pop Sugar). Streep plays the role of President of the United States.

We're told that Streep kept saying, "Don't try to make it look pretty. I like it when it has this flat weird thing!'" 

I share her curiosity about why so many women have that hairstyle. It's so incredibly stupid...

It's hilarious to have a President with that hair. Can everyone please stop? It's like Shirley Temple grew up and couldn't figure out she wasn't a child anymore. That is, it's like Bette Davis in "Whatever Happened to Baby Jane?"

Can they make up Leonardo DiCaprio to look like Jonah Goldberg and have Meryl Streep as the female Trump?

Yes and yes. Here, see for yourself:

Elizabeth Warren : Meryl Streep :: Me : Rush Limbaugh.

Fun fact: Meryl Streep and I share a birthday down to the year. (One of us has won multiple Oscars. Hint: It was definitely not me.) Happy birthday, Meryl! https://t.co/ugYk8udQvn

— Elizabeth Warren (@ewarren) June 22, 2019

You have to believe in astrology or something like it to think that having the same date of birth as a particular person says anything about the kind of person you are... though talking about it (like talking about anything) says something about you.

"I'm scared. I'm scared by him, by his possibility. And I do empathize with him. I can’t imagine what his 3 a.m. is like."

"There’s a gathering storm—everyone feels it, he feels it. His children are in jeopardy, and I feel that. I think, 'What if my children were in jeopardy?' I would do anything — anything — to get them out of trouble. So we should be afraid. That’s what I think."

Said Meryl Streep, quoted in "Meryl Streep on Why People 'Should Be Afraid' of Trump" (Hollywood Reporter).

"The Gathering Storm" is the title of the first volume of Winston Churchill's history of World War II. There are 2 films about Churchill with that title, one from 1974 starring Richard Burton and one from 2004 starring Albert Finney. Last year's movie about Winston Churchill, with Gary Oldman, was called "Darkest Hour." "Darkest Hour" is not the title of any of the WWII volumes. It's just "a phrase coined by British prime minister Winston Churchill to describe the period of World War II between the Fall of France in June 1940 and the Axis invasion of the Soviet Union in June 1941 (totaling 363 days, or 11 months and 28 days), when the British Empire and Commonwealth stood alone (or almost alone after the Italian invasion of Greece) against the Axis Powers in Europe."

At least Meryl Streep didn't feel that it's our darkest hour. It could be worse.

Meryl Streep is one of the all-time great movie actors. So was Richard Burton. Here he is agonizing over the gathering storm in "The Gathering Storm." He's in his jammies, so it's easy to view this as a visualization of Trump at 3 a.m. (in case you, like Meryl, are trying to do that and face an impoverishment of imagination):



IN THE COMMENTS: Ken B said: "What starlet was in danger from Harvey Weinstein, when Streep knew about him, and kept his secret? What about her 3 a.m.?"

"Two of the three behind the 'She Knew' posters claim they are financed by unnamed wealthy conservatives who pay them $5,000-$20,000 per 'mission.'"

Hollywood Reporter reports.

These three are the artists who were responsible for the latest images targeting Meryl Streep, where posters were peppered throughout town featuring her image next to Weinstein’s with the text, “She knew,” across her face, a reference to allegations made by actress Rose McGowan that Streep did not speak out sooner against the disgraced mogul. Streep next appears in Spielberg’s The Post, a movie about the Pentagon Papers that 20th Century Fox is opening today.

“They’ve injected themselves into politics so audiences can no longer suspend belief. They’re ruining Hollywood,” says one artist. “I love Streep, but she’s a weapon on the left, and we have to take out the left,” says another....

On Friday morning, one of the artists, Sabo, hit Streep, Weinstein and The Post again, and this time added Tom Hanks. On bus benches near Los Angeles, he has Weinstein, arms stretched as if he’s Charlton Heston as Moses in The Ten Commandments, with the word, “God” across his image. Other benches have Streep and Hanks, backs turned, with word bubbles: “I knew,” Streep says. “We all knew,” says Hanks....

Sabo is a former tank commander who took his pseudonym from the word “sabot," a certain kind of projectile fired from a tank gun....

"Sabot" is also a wooden shoe (and that's a centuries older meaning). The word "sabotage" goes back to the French word "saboter," which means to make a noise with those wooden shoes. In English, "sabotage" means "The malicious damaging or destruction of an employer's property by workmen during a strike or the like; hence gen. any disabling damage deliberately inflicted, esp. that carried out clandestinely in order to disrupt the economic or military resources of an enemy." That definition is from the OED, which has the earliest example from 1910.

It's not just about breaking the silence anymore. It's about breaking The Silent.

Time made a Person of the Year cover out of "The Silence Breakers," but the implication is, there was a long silence: Who was responsible for the silence? If you care enough about the silence that a few people managed to break this year, you're probably going to want to go after the people who created and maintained the silence. It's not enough to slay the beast. You have to wonder who kept and fed that beast all these years.

I see #SheKnew is up.... pic.twitter.com/ILOSh3LMVe

— Alex W Smith (@AlexSmith1964) December 19, 2017

Via "Meryl Streep #SheKnew posters pop up in Los Angeles amid backlash over Harvey Weinstein comments" (Daily News).

I'm reading quotes about silence:

"In the end, we will remember not the words of our enemies, but the silence of our friends." — Martin Luther King Jr.

"Never be bullied into silence. Never allow yourself to be made a victim. Accept no one’s definition of your life; define yourself." — attributed to Robert Frost and Harvey Fierstein

"I have learned now that while those who speak about one's miseries usually hurt, those who keep silence hurt more." — C.S. Lewis

"I decided it is better to scream. Silence is the real crime against humanity." — Nadezhda Mandelstam (the wife of Osip Mandelstam, whom I learned about last month as a consequence of googling "Who died for poetry?")

"Actresses, like Meryl Streep, who happily worked for The Pig Monster, are wearing black @GoldenGlobes in a silent protest. YOUR SILENCE is THE problem."

"You’ll accept a fake award breathlessly & affect no real change. I despise your hypocrisy. Maybe you should all wear Marchesa."

Tweets Rose McGowan, quoted in "Rose McGowan Singles Out the ‘Hypocrisy’ of Meryl Streep and Other Actresses Planning Golden Globes Protest" (NY Magazine).

Something must have happened to Pajamas Media sometime.

This grabbed me by the eyeballs and I opened up the app called Grab and made this capture for you:



That's the "Editor's Choice" in the sidebar when I clicked on "Meryl Streep Admits She Reads Drudge, Watches Fox News."*

Let's talk about the psychology of Pajamas Media or, more accurately, the psychology Pajamas Media imagines in its readers. Somebody there believes that putting those 3 things together will work on you to click one. And they can see which one readers choose. Which way does your anxiety lead you? You can always calm yourself with the "overrated male musicians" if the idea of sexualized boys and adult wussies is too disturbing.

You might take refuge in "overrated male musicians" because it's the one that's not overtly sexual, and you know you'll see familiar faces — warning: you have to click through multiple pages — and you can dreamily lose yourself in contemplating how highly these men are rated and then whether they should really be rated lower. Hey! If you do that, maybe you're experiencing "modern life" and getting transformed into a wussy. What manly man gives a fuck whether musicians are overrated? By the way, the listicle is written by a woman and she begins by talking about Woody Allen and his 40-year-old riff from "Manhattan" about which writers are overrated.

I skimmed "How Modern Life Transforms Men into Wussies," including clicking through 4 pages. Apparently, men these days watch action movies and play video games instead of doing manly outdoor things. Well, if you're reading that article, you're probably not flexing your muscles out in the elements. And be careful. You're a modern man on the precipice of the wussy-making machine. You may be moved to comment over there, participating by whimpering something like: "So you just finished pointing out just how crappy the situation is for men, and then chide us for not participating in it?" Poor man. He should have opened door #3 where he could have calmly nodded over the notion that Stevie Wonder is overrated.

Need I open door #2, "New York Times Celebrates Sexualization of 10-Year-Old Boy"? It must attract PJ Media clicks, since it's an article that's already almost a month old. Of course, the NYT article doesn't talk about the "sexualization" of the boy, and it certainly doesn't "celebrate sexualization" of a child. It merely enthuses about a boy wearing what would be a depressing shitload of makeup on a grown woman. The PJ Media article chides the NYT: "Apparently, there are... many cosmetics companies and fashion magazines willing to whore out young boys for the sake of sales and clicks." But PJ Media is also using that madeup boy to get clicks, and it's putting "sexualization" in the article title and pimping it — weeks after its original publication — in the sidebar under a headline written to scare men about the world turning them into "wussies."

________________________

* Don't get too excited about that nonnews. Meryl Streep is talking about news media, because she's in a new Steven Spielberg movie about the Pentagon Papers. She plays the role "of Washington Post reporter Katharine Graham," as PJ Media puts it. Katharine Graham wasn't a "reporter." She owned the newspaper and was its publisher. Anyway, Streep was answering questions about what media she consumes, she listed a lot of things, and on mentioning Fox, added that she looks at it "to see the manipulation." All the media manipulate, so I only wonder if she tries to see manipulation when she looks at media that lean the way she likes, but I'm not a reporter, I'm not interviewing Meryl Streep. I'm just a humble blogger prying my way into Pajamas Media at 5 in the morning.

One thing cannot be clarified: "One thing can be clarified. Not everybody knew."

Says the statement issued under the name Meryl Streep. I don't know from whose mind these words sprang, but the statement continues:

Harvey supported the work fiercely, was exasperating but respectful with me in our working relationship, and with many others with whom he worked professionally.

So some, but not others, got respectful treatment. That doesn't make the behavior better. It makes it worse. It's discriminatory.

I didn’t know about these other offenses: I did not know about his financial settlements with actresses and colleagues; I did not know about his having meetings in his hotel room, his bathroom, or other inappropriate, coercive acts.

Why didn't you know what was convenient for you not to know? Was it willful blindness? Did you have any hints, but avoid learning these details? If so, you had an obvious self-interest in standing aloof. You could, on the other hand, just be lying, but for the sake of argument, I'm assuming that the statement is true and looking at the ways in which it is cagey and self-protective. 

And If everybody knew, I don’t believe that all the investigative reporters in the entertainment and the hard news media would have neglected for decades to write about it.

The cagiest part of this writing is the phrase "everybody knew." If only one person didn't know, then not everybody knew. So it's easy to stand firmly on the trivial technicality that not everybody knew... especially since so many people had a personal interest in staying in the dark and not following up on the clues. But many people knew, and yet the matter was suppressed for many years. The "investigative reporters in the entertainment and the hard news media" were neglectful, and the failure of everybody to know doesn't overcome the inference of neglect. And, indeed, there is neglect in the not knowing in some cases, such as, perhaps, yours, Meryl Streep.

The behavior is inexcusable, but the abuse of power familiar. Each brave voice that is raised, heard and credited by our watchdog media will ultimately change the game.

Blech. You should have spoken out when it mattered. Before the bubble burst. Speak out about somebody else. The abuse of power is familiar, you say. All right, then. You there on the inside, Meryl, you raise your brave voice, if you have one. Otherwise, this after-the-fact statement is just an inadequate effort to cover your own ass and of a piece with the ignorance of the facts that served your interest before the story hit the news.

"Suddenly, male actors who make other kinds of movies are ageing into mid-career obsolescence as quickly as female actors once did."

"The idea that ageism has caught up with their tiresome rock-star behaviour is almost as satisfying as watching Meryl Streep cruise nobly into her late 60s with a full dance card of upcoming productions."

Goodbye to Carrie Fisher.

"Carrie Fisher, the actress, author and screenwriter who brought a rare combination of nerve, grit and hopefulness to her most indelible role, as Princess Leia in the 'Star Wars' movie franchise phenomenon, died on Tuesday morning. She was 60."

Here she is, alongside her mother Debbie Reynolds, talking about the breakup of her parents (with Debbie getting the very long last laugh):



I hope that isn't too much laughing. I was looking for the interview she did with her father, back when she had a talk show in 2004, which I blogged here:

It was ragged, frighteningly raw, really, but very funny. He is an eely sweetheart of a man, and he sat there and let his daughter bounce zingers off him for an hour. She's bitter and good natured, and she let him have it about his life of heavy drug use and womanizing.

And I'm a big fan of the movie based on her book "Postcards from the Edge":



Here she is in her first role — she's a teenager — with Warren Beatty in "Shampoo":

Please stop debating about whetherOR not👁aged well.unfortunately it hurts all3 of my feelings.My BODY hasnt aged as well as I have.Blow us👌🏼

— Carrie Fisher (@carrieffisher) December 29, 2015

IsYRbody DKaying➕deth marchi🆖ever closer?®the sands 🅾️F time💲🅾️cruel✝️♓️📧Yshud🅱️arrested➕💲📧♑️✝️2️⃣a 🚗dℹ🅰©beach?Get©gℹ,perspective ➕d📧🅰🕒w/ℹ✝️ pic.twitter.com/euI92t3PeU

— Carrie Fisher (@carrieffisher) December 21, 2016

Why Donald Trump is not like Citizen Kane.

Instapundit links to Eric Felten in The Weekly Standard, "Citizen Trump?/The eerie similarities between DJT and CFK":

"Wellesnet," the online Orson Welles news and fan site has noted that Donald Trump's campaign is coming, more and more, to resemble the doomed election bid of Charles Foster Kane in the 1941 film. One will remember that things for Citizen Kane started to come unraveled when he threatened, at a big rally, to prosecute his opponent once elected.

"But here's one promise I'll make and Boss Jim Gettys knows I'll keep it," Kane says. "My first official act as governor of this state will be to appoint a special district attorney to arrange for the indictment, prosecution and conviction of Boss Jim W. Gettys."

As Wellesnet recounts, in turn, "Gettys destroys Kane's political aspirations by leaking a sex scandal involving Kane in the final stretch of the campaign."

Citizen Kane was a movie about a character who, of course, didn't think of himself as a character in a movie. He was not aware of the drama of his story arc. He was not motivated to crank it up into the greatest story that ever hit the big screen.*

Donald Trump is a real man. He is witnessing the approach of doom. Maybe he holds onto some shred of hope — he's a fighter, he likes to win — but that's all the more reason to make his story as interesting as possible, for the inevitable movie or movies — who knows how many movies there will be over the years? Donald Trump has 4 more weeks to write the story that will be enacted in those movies he sees coming.

Alec Baldwin, his "SNL" impersonator, is a great and serious dramatic actor. Surely, Baldwin will get a movie made. I look forward to the meta material. Baldwin will play 2 roles — oh, should I shut up and just write the screenplay? — Trump and Alec-Baldwin-as-Trump mocking Trump on "SNL." We see Baldwin/Trump seething and scheming as he watches Trump/Baldwin imitating him.

He's seething and scheming and then he laughs maniacally. Suddenly, he envisions the movie that will be made.

For decades they've been saying that "Citizen Kane" is the greatest movie of all time, but my movie will be bigger and greater. It will be huuuge. Because this really happened. Not just a stupid sex scandal that brought Kane down — a tawdry little thing — but a torrent of craziness like nobody ever saw. A sex scandal — that's Bill Clinton crap and Bill Clinton's crap is already part of my story. My story! It will all be in there. The aging actresses — they're always looking for parts — they'll be falling over each other trying to get the roles of Paula Jones and Juanita Broaddrick and Kathleen Willey and that other one, the 12-year-old that Hillary laughed at. And I've got all the young women too. So many roles! All the beauty queens — Alicia Machado — and the journalists who all ganged up against me. Megyn Kelly. Megyn Kelly will beg to play the part of herself in my movie. My movie! There's Nancy O'Dell and that actress in the purple dress — the one I took the Tic Tacs for — and Ivanka — Ivanka! — and Hillary herself. Hillary! Ha! Streep wants that. Streep will beg on her knees for that. Of course, Streep will do it. Streep or any one of those old actresses hot for a meaty role — a meaty roll with Bill. Heh. Who will play Bill? Who cares?! The question is me! Baldwin will do it. Of course! It's such a great role. What am I saying? The story isn't over yet. The climax hasn't even happened. This real-life story is still getting written — by me, the greatest character in the history of movies. The greatest movie scriptwriter in history. Writing in real life. Writing history moment-by-moment, tweet-by-tweet, impromptu splutterings on stages in front of millions. I can play out whatever crazy real-life destruction — ha ha ha ha ha look out, Paul Ryan! — any destruction-of the-GOP fantasies I want and it's all part of The True Story of Donald Trump. I can say anything, do anything — grab them by their pussy, shoot a guy on 5th Avenue — and it's actual true story, history-of-the-United-States-of-America, craziest thing that ever happened. It's big. It's huge. It's bigger than President of the United States. Fuck President of the United States. You can take that lousy job, Hillary. I am become bigger than you ever imagined becoming! President of the United States — it's just a childish conventional dream. You didn't build that. Go. Live in that ugly little house. It's not like you can actually push the nuclear button. Knock yourself out "fixing" Obamacare and war-and-peace-ing the Middle East for 4 years. Good luck with the America that's going to hate you. Like they already hate you. They're voting for you, but I assure you, Hillary, they hate you. And they're gonna love me — me, the greatest character in the greatest movies, the most movies and the best movies ever made. And fuck you too, Citizen Kane.

________________________

* Citizen Kane was based on a real person, William Randolph Hearst, but he didn't want to be a character in a movie, and he wasn't motivated to live his life, as defeat approached, to maximize the entertainment value of the story if it were presented in movie form. My point in this post is that the more it is apparent to Donald Trump — in these last 4 weeks — that he will lose the election, the more he may fixate on accomplishing something else, such as the destruction of the GOP as we know it or the ruination of the presidency that doesn't get to be his. Trump is an entertainer and he's been entertaining us all along and he has reason to think that he will be entertaining America forever as a character in our history. How big of a character can he be? He wants to be huge.

Watch the 11-minute video — replete with Meryl Streep narration — that was supposed to be shown at the Democratic National Convention...

... until the Clinton campaign nixed it. But why?

The decision to cut the film at the last minute left some Democrats involved with the project scratching their heads. The source claimed that there were concerns by Clinton campaign operatives that the video presented too soft or too feminist a vision....

“While we’re all busy judging Hillary: her hairstyle; her wardrobe; whether she looks tired; if she’s talking too loud; she’s just quietly gone about the business of helping women all over the world,” Streep says, before invoking a litany of American women including Harriet Tubman, Susan B. Anthony, Amelia Earhart, Margaret Chase Smith, Eleanor Roosevelt, Rosa Parks, Sally Ride, Maya Angelou, Delores Huerta, Geraldine Ferraro and her mother—all described as Hillary’s heroes. “In the end, Hillary did not realize her dream of becoming an astronaut. But, she did soar to a place no woman has gone before... Tonight we say thank you to all the women who would not take no for an answer: You dreamers and schemers, you rabble rousers and hell raisers, you petticoat abolitionists, you chain-smoking, pants wearing exhibitionists, you educators, agitators and aviators, you risk-takers, you rule breakers, you unlikely heroes.”

Probably the smoking.

ADDED:  "all the women who would not take no for an answer"... but doesn't no mean no?!

Also, I was thinking "pants wearing exhibitionists" might sound a little wrong and I googled the phrase. What came up was the kind of links I don't like to click on.