"Tell all the truth but tell it slant..."

Wrote Emily Dickenson, quoted by the novelist Mary Gordon, leaving out the word "all," talking with the actress Glenda Jackson, in "Mary Gordon & Glenda Jackson Talk Poetry, Theater and the State of Feminism" (NYT)"

GJ: I’m so pleased you said that, because I’m a big fan of Emily Dickinson. The view of both Stevie [the British poet Stevie Smith, played by Jackson in "Stevie"] and Emily Dickinson seems to be that here were these two solitary, depressed, lonely women, but they lived in these fantastic worlds!

MG: They’re great, greater than anybody around at that time. But their forms are small. And so, female gets defined as minor. Some of American women writers’ best work was done in the form of the short story: Flannery O’Connor, Eudora Welty, Katherine Anne Porter, Jean Stafford. I think what’s funny is around the same time that Emily Dickinson wrote, “I’m nobody! Who are you?” Whitman wrote, “I am large, I contain multitudes.”

***

Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise,
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —

ADDED: This seems to gesture, differently, at the "fake news" problem we fakely fret about these days. Maybe the participation of women has changed public discourse in a way that we haven't quite acclimated to. Consider the benefits of circuitous truth. It's the only way to get the "all" that even Mary Gordon let slide.