Lily Tomlin लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं
Lily Tomlin लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं

31 दिसंबर 2020

Orgasms and sandwiches.

From a post at Reddit about the 1973 book "Understanding the Female Orgasm" by Dr. Seymour Fisher:
something I found googling his name.... "Part of the early research leading to that book found that women who enjoyed food were likely to enjoy sex as well, and that put a twist into the Fishers' social life, Rhoda Fisher said. 'When we got to somebody's house for dinner,' she said, 'no women wanted to sit near him. They thought he'd analyze their food.'"
If I had to choose between an orgasm and like a really good sandwich, I'd pick the sandwich. I don't know what that says about me. 
Absolutely. If I had to live without orgasming for the rest of my life, I'd feel a bit sad and frustrated, but if I had to live without really good sandwiches, I would be undone...
Just yesterday, I complained on another post my orgasms are pretty meh so it was such an easy choice. Give me a fricken sandwich with everything on it!!

IN THE COMMENTS: Meade says, "And remember— you can’t fake a sandwich."

I google "marcel marceau eats a sandwich"... 

 

 ALSO: "Once I ate a hamster sandwich...."


AND: We all remember when Warren Zevon said "Enjoy every sandwich and you know what I mean by sandwich."

7 दिसंबर 2020

"If Dolly Parton were organizing a literary dinner party, which 3 writers — dead or alive — would she invite?"

This answer is amusing because she's so openly declining to answer the question in terms of setting up an excellent conversation:
First would be James Patterson because, since we are both in entertainment, we could write it off as a business expense. (Ha!) Second would be Fannie Flagg — she’s a friend and a very funny author, so I know she would be a guaranteed good time. Third would be Maya Angelou because she would definitely have wonderful stories and spoke and wrote so poetically. As a bonus, I’d ask Charles Dickens to join us — for the street cred. 
That's from a NYT piece with a headline — "Dolly Parton Likes to Read by the Fire in Her Pajamas" — that forces me to crack a Groucho Marx joke — How the fire got in her pajamas, I don't know.

 

Anyway, she names 4, not 3, and Patterson seems only to be there as part of a tax avoidance scheme. Does Dolly Parton ever let her political opinions show? She flaunts her resistance to taxation. That might be conservative. The other thing in that piece that strikes me as conservative is that she expresses — twice — her love of the book "The Little Engine That Could." It's the book she wants all kids to read. I can't imagine a left-leaning person saying that. 


I've already read between the lines. A devoted promoter of the "The Little Engine That Could" must be conservative or libertarian. But let's read this:

1 जनवरी 2020

"What was supposed to be a shallow, tooted and booted, 1-night stand has grown and flourished to something far more meaningful..."

19 मार्च 2013

"One of the fallouts of feminism is that girls became more accessible."

"Maybe not wisely accessible," Lily Tomlin says to Vanity Fair, when asked to opine on the TV show "Girls."
A lot of young girls — they’re expected to give blow jobs now. Young, young girls, as far as I can perceive. Maybe 12 or 13 years old. I mean, that’s a rite of passage, I suppose. As a feminist, I don’t want those girls to be used. Maybe they love giving blow jobs, I don’t know. Maybe they do? But I don’t think you really love giving boys in general blow jobs without any feeling to someone you’re not close to. I don’t try to speak for people that young. I’m not that young anymore. 
She's 73.
But my own sense of self—I wouldn’t give myself away that easily.

That’s part of the culture, and I don’t like that it’s put on teenyboppers and young girls. They should be developing themselves in a different way than just being sexually accessible. Or looking good. I don’t like it being brought back to the time where girls were competitive and disliked each other, this whole concept of cat fights and girls being jealous of one another. You still see cartoons on Saturday morning where there is the nice girl and the mean girl, and they’re competitive for the boy who is kind of goofy and ignorant . . . it’s like an old stereotype. But I don’t think you can beat too much humanity out of too many humans too quickly.

18 जुलाई 2010

"Everywhere you look there are jokes... I mean, my life is just... jokes."

A clip from the excellent documentary "Joan Rivers: A Piece of Work":



We saw this movie last night at Sundance in Madison. I have a special love for the documentaries in this niche. Show this new one as a triple feature with "The Eyes of Tammy Faye" and "Grey Gardens." Here's the trailer for "Joan Rivers." Watch for the insult to Wisconsin, which got a huge laugh here in Wisconsin.

There was a line I tried to memorize, for me, the most interesting line in the movie. It was something like: "I am an actress — an actress playing the role of a comedian." When she was in high school, Joan was in all the plays. We see her in Shakespearean costume. She still sees herself as an actress. She says: You can say anything about her as a comedian, but don't criticize her acting. That's the one thing that hurts. That may seem very odd, because do you think of her as an actress (other than in the sense that when she's doing her comedy she may conceive of herself as playing a character that isn't really her)? She had a dramatic role in the movie "The Swimmer" (with Burt Lancaster)? And in the 90s she starred in (and co-wrote) the Broadway play "Sally Marr ... and Her Escorts" (a play about the woman who is mostly famous for being Lenny Bruce's mother). The NYT said:
Is Ms. Rivers also a great actress? No, she is not. But she is exuberant, fearless and inexhaustible. If you admire performers for taking risks, then you can't help but applaud her efforts. "Sally Marr" asks her to dig down deep and dredge up some elemental emotions. Ms. Rivers backs off from none of them. In her portrayal of a gutsy woman who has hit the skids more than once in her 80-odd years, there is a childlike sincerity that exerts its own spell in the end. Between Ms. Rivers and Ms. Marr an understanding obviously exists.....

[E]arly on, when Sally goes into her theory of comedy. "You don't start with funny and make it funnier," she explains. "Comedy comes from pain."...

It is the play's contention that without Sally Marr... there would have been no Lenny Bruce. Her outspokenness blazed the way for his iconoclasm; from her hatred of hypocrisy sprang his. She was even there when he made his first tentative steps as an M.C. in strip joints to coach him on the intricacies of comic timing and lend him some of her material. "Lenny Bruce opened the door for every modern American comic, right?" she says, putting her checkered past into perspective for us. "So, in a way, you could say I gave birth to George Carlin and Richard Pryor and Eddie Murphy and Lily Tomlin and Robin Williams and Bill Cosby and Gilda Radner and David Letterman."
So is she an actress, and if so, who is the real person? I don't think you get the answer in the "Joan Rivers: A Piece of Work." There's a scene where she's doing a radio promotion for her new book — "Men Are Stupid . . . And They Like Big Boobs: A Woman's Guide to Beauty Through Plastic Surgery" — and the interviewer goes on about how, whatever a woman does to herself to try to look beautiful, she must, in the end, want to be loved as the person she really is. Joan's response: Who is the real me? Perhaps when the real person is an actor, there is a hollowness that must be filled with a written character.

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Note to commenters: Please say something more interesting than that you don't like her surgically destroyed face. We can take that as a given. Don't be boring. It's worse than being ugly. Around here.