Showing posts with label Katie Holmes. Show all posts
Showing posts with label Katie Holmes. Show all posts

July 8, 2023

"I’ve worked with far lesser actors who would leave me to read with an assistant when they’re off-camera."

"But Tom does not play that way at all. At one point, his face was literally smashed against the [side] of the camera, to get in my eye line as much as possible, even if I could only see the corner of his eye. He was like, 'What do you need, what can I do, how can I help you?'" 

Said April Grace, about making the movie "Magnolia" with Tom Cruise, quoted in "Tom Cruise is here to help/For more than four decades, the actor has attained near-mythic status by giving us what we want — including seven ‘Mission: Impossible’ movies." (WaPo).

The article, written by Ann Hornaday, a film critic, continues:
It’s easy to be cynical about Cruise’s messianic energy, his zealotry on behalf of an art form that, when he practices it, looks less like a profession than a holy vocation (is it any coincidence that he once contemplated becoming a Franciscan priest?).

Why be "cynical" about "a holy vocation"?! 

April 20, 2018

What Clinton loyalist Philippe Reines said to NYT reporter Amy Chozick: "I didn’t know I had to say it was off the record when I was inside you."

That line — which Chozick called "grossly gynecological" — is from the movie “Thank You for Smoking," and it came up in a discussion of whether a prior conversation was off the record. Chozick didn't reveal Reines's name in her new book — "Chasing Hillary: Ten Years, Two Presidential Campaigns, and One Intact Glass Ceiling" — but the WaPo reviewer (Carlos Lozada) revealed it, and Reines confirms, as he gives his riposte to Jezebel:
Amy deserves credit for confessing. Because anyone who’s seen “Thank You for Smoking” knows the problem isn’t Aaron Eckhart’s language or behavior, it’s Katie Holmes’s ethics and tactics. I said it then, I’d say it again today. Oh, one more thing: she and [New York Times assistant managing editor Carolyn] Ryan should know this about my own book I’m currently writing: there are tapes. And unlike some, I don’t bluff.
I'm not someone who's seen "Thank You for Smoking," but I can understand Reines's defense and its limits. He used a line that, he wants us to see, expressed the idea: I thought we had a close relationship, and you're a bad person if you use our closeness in a way that hurts me.

The limits:

1. The movie reference would only work if he knew she was quite familiar with the movie. I don't know the answer to that. Maybe he did!

2. He's bringing up sexual intercourse metaphorically. That suggests a level of familiarity that might have existed. It might be used to intimidate a woman, but it might suggest that the woman was included in the group, more like a man, that she was in the "locker room" where sexual metaphor is freely used. It's possible that Chozick is repeating intimate talk to outsiders who don't understand the style of repartee, and her ew, gross is really quite unfair to Reines.

3. Why would the analogy work? She was a NYT reporter and he was a campaign aide. Even if Chozick achieved phenomenal access to the campaign, how could it possibly equate to his getting "inside" her? Does Reines mean to say that she tricked him into believing that she was a lover and not a real journalist and now it's wrong of her to reveal herself as someone who never really loved him?

4. How could Reines possibly have been so naive? Anyone halfway sophisticated knows what Janet Malcolm famously wrote in "The Journalist and the Murderer":
Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible. He is a kind of confidence man, preying on people’s vanity, ignorance, or loneliness, gaining their trust and betraying them without remorse. Like the credulous widow who wakes up one day to find the charming young man and all her savings gone, so the consenting subject of a piece of nonfiction writing learns—when the article or book appears—his hard lesson. ...

The catastrophe suffered by the subject is no simple matter of an unflattering likeness or a misrepresentation of his views; what pains him, what rankles and sometimes drives him to extremes of vengefulness, is the deception that has been practiced on him. On reading the article or book in question, he has to face the fact that the journalist—who seemed so friendly and sympathetic, so keen to understand him fully, so remarkably attuned to his vision of things—never had the slightest intention of collaborating with him on his story but always intended to write a story of his own. The disparity between what seems to be the intention of an interview as it is taking place and what it actually turns out to have been in aid of always comes as a shock to the subject.
5. I'm just going to guess that Reines is bullshitting, playing the faux naif today, even though back at the time he meant to flummox Chozick. As for Chozick, I think she's making a power move too. She must know how devastating it is in these #MeToo times to accuse a man of sexual harassment in the workplace, which is more or less what she is doing. I think Reines is scared, but he's trying to act tough — There are tapes! I don’t bluff! She's unethical! Like Katie Holmes!

6. I love the utter tininess of this dispute. It's so Friday. Such a relief from all the Comeosity.

July 4, 2012

"Nothing of importance happened today."

Wrote King George III in his diary, July 4, 1776. Not. He didn't even keep a diary.

From a list of "10 Things You Didn't Know About the Fourth of July."

Happy 4th!

Also, a Meadhouse dialogue:
MEADE (singing): We carried you in our arms...

ME: Why are you singing "Tears of Rage"?

MEADE (talk singing): ... on Independence Day...

ME: Oh....
And here I was thinking he was reading about the Katie Holmes/Tom Cruise divorce, within which there's the topic of Suri getting carried everywhere. I'd just read: "Kids as young as five can be sent to the military like Sea Org. I’m guessing she can’t bring her child-heels or get carried everywhere, which is something Katie would not approve of."
Oh what dear daughter ’neath the sun
Would treat a father so
To wait upon him hand and foot
And always tell him, “No?”
That's what Bob asked, mysteriously. Who is this daughter who always says "no," but waits upon him hand and foot? She sounds pretty devoted. The opposite of a daughter who says "yes," but does nothing. I'm assuming the official Bob Dylan website erroneously placed the question mark inside the quotation mark.

Perhaps the song really is about Independence Day, and the daughter is the United States, carried in the arms of England....

June 30, 2012

What we learn about Scientology from the Katie Holmes/Tom Cruise divorce.

Holmes seeks sole custody of the couple's 6-year-old child Suri, who has supposedly been raised under principles of Scientology:
Suri is apparently treated as an adult, free to make decisions on her clothes, make-up and diet.

Scientology expert Rick Ross explained to the Daily Mail's Alison Boshoff last year: 'Scientologists treat kids as if they are individuals capable of making their own decisions.'

Indeed, Tom echoed this approach in an interview in 2010.

'I say to Suri, "I really want you to eat this protein if you’re going to have that sugar,"' he said.

'She looks at me and she goes: "Dad, I don’t think you should try to force me to do something I don’t want to do."'...

Just last week, an evening of pizza and ice-cream with her mother ended in tears when Katie took her daughter's cone away.
If we assume, for the purposes of discussion, that Cruise follows a religion-based approach to child rearing, involving maximum autonomy, and Holmes now objects to that and wants to raise the child according to more conventional decision-making and discipline by the parent, how much of a factor should that play in determining custody? Should Cruise's ideas about child-rearing have more weight or less weight because they are premised on religion?

January 11, 2011

"Disappointment for Katie Holmes over axed Jackie Kennedy series."

1. First, of all: "axed." Should we be saying "axed"? There hasn't be a high-profile ax murder in a while, and now if there is one, The Daily Mail will have to answer for it.

2. Katie Holmes looks a little like Jackie in that get-up, but something's missing — something in the legs and arms proportionality. And that expression! Why is Katie always so sad?!

3. "JFK's niece Maria Shriver, and his daughter, Caroline Kennedy, are reported to have lobbied hard for the History Channel to pull the plug on the series." Katie and Tom less powerful than Maria and Caroline? Noooo!

4. A History Channel spokesperson said: "While the film is produced and acted with the highest quality, after viewing the final product in its totality we have concluded this dramatic interpretation is not fit for the History brand... We recognise historical fiction is an important medium for storytelling and commend all the hard work and passion that has gone into the making of the series, but ultimately deem this as the right programming decision for our network." Find the lies in that statement. Why'd they approve of the production in the first place if that sort of thing isn't "right" for them?

5. Sorry about the "Schwarzenegger" tag. I don't feel like making a separate tag for Maria Shriver.