લેબલ Ira Glass સાથે પોસ્ટ્સ બતાવી રહ્યું છે. બધી પોસ્ટ્સ બતાવો
લેબલ Ira Glass સાથે પોસ્ટ્સ બતાવી રહ્યું છે. બધી પોસ્ટ્સ બતાવો

13 જુલાઈ, 2024

"You studied semiotics in college. I’m curious if that also shapes the way you think of narrative...."

Sarah Larson asks Ira Glass, in "Ira Glass Hears It All/Three decades into 'This American Life,' the host thinks the show is doing some of its best work yet—even if he’s still jealous of 'The Daily'" (The New. Yorker).

Glass answers:
For me, the most important book was “S/Z,” by Roland Barthes, where he takes apart a short story by Balzac phrase by phrase, paragraph by paragraph. What he’s interested in is, How does this story get its hooks into you? Why do you read to the next paragraph? Why do you care? And that feeling that you get at the end of a really good story, where you just feel, like, Ahh!—what produces that? And he names a bunch of mechanisms that, once you know them, you can create yourself.

7 મે, 2022

I've selected 7 TikTok videos for you this time. Let me know which one you like best.

1. If you combined Nick Cave, Tom Waits, Johnny Cash, and The Doors into one voice, how would it sound?

2. Never seen an adult male cry? It's "weird"?

3. Imitating rock stars by their walk.

4. The inside of one of those twee cabins. 

5. Nominees for the Dad Award for Food-Related Fails.

6. Imitating Ira Glass.

7. The "My dog stepped on a bee" meme. (Don't worry: No dogs stepping on bees — or even any dogs or bees — in this video.)

16 નવેમ્બર, 2020

"OK, so here's a weird thing to happen at your temp job. A chunk of the country decides that you, personally, are trying to steal the election from the president of the United States."

"This actually happened to a guy. He's in this video that's been circulating online, retweeted by Eric Trump and Donald Trump Jr., viewed over 5 million times, of him. He's this worker in the Georgia vote counting operation. In the video, you see him at a desk in short sleeves, people doing their jobs all around him. He picks up one piece of paper after another, puts them in a stack. And then, something happens. He flinches and he slams down a piece of paper kind of angrily — or that's how it looks in the video. The sound on the video is somebody narrating who's not identified — 'This dude has a fit about something, flips off a ballot, and then crumples it up.' That's more or less true. The guy gives a finger to something and then does crumple up some piece of paper and then drops it to the side. The narrator and so many commenters online for the video assume this is a Trump ballot. And this fits the mold of all the things the president has been saying about the election being stolen."

So begins the new episode of "This American Life." (That link goes to the transcript. Here's the audio.)

20 ઑક્ટોબર, 2018

Kangatarianism.

I learned a new word (and a new concept):
Kangatarianism is a recent practice of following a diet which excludes meat except kangaroo on environmental and ethical grounds. Several Australian newspapers wrote about the neologism "kangatarianism" in February 2010, describing eating a vegetarian diet with the addition of kangaroo meat as a choice with environmental benefits because indigenous wild kangaroos require no extra land or water for farming and produce little methane (a greenhouse gas), unlike cattle. Advocates of kangatarianism also choose it because Australian kangaroos live natural lives, eat organic food, and are killed "humanely". For similar reasons, Australians have discussed eating only the meat of Australian feral camels ("cameltarianism").
That's from the Wikipedia article, "Kangaroo Meat," which you either know or don't know why I'm reading. For those not yet up to speed: "Chef fired after serving kangaroo meat to Nebraska students" (Fox News):
On Oct. 10, a Potter-Dix Public Schools cafeteria served a chili including a mixture of beef and kangaroo meat, according to the release. Head Cook Kevin Frei told Superintendent Mike Williams that the kangaroo meat was added because “it is a very lean meat.”

While the superintendent stated that he does not believe that the kangaroo meat was unhealthy or dangerous because it met USDA standards for sale, the district vowed to not serve food of this nature again. “If a family wants to eat exotic foods, they can do so on their own time — not at school,” Williams said.... “It is without a doubt not a normal staple of our diet and will not, nor will any other non-staple foods, be a part of the potter-Dix meal program.... I apologize for the anxiety and any harm that this has caused individual students and /or families.”
I agree that parents should always know what animals the school is feeding to their kids, but I don't like the way the solution is always to fire the employee. Why didn't the head cook know how people in his town would react to serving "mystery meat" that turned out to be from an animal people in the area don't normally think about eating? Maybe he is too foolish and reckless for the job, but I feel for him.

What he did is not as bad as putting meat in a dish that people believe is vegetarian or presenting pork as beef or beef as pork. The cook had rational reasons for using kangaroo meat rather than other meats. Kangatarianism makes sense to some people. But if you're a cook in Nebraska — or an anything, anywhere — you can be too rational. You've got to have a feeling for how irrational people react to unusual things.

I have exactly one other association when it comes to kangaroo meat: It's what "This American Life"'s Ira Glass fed to his strange, dangerous dog:
[Our rescue pit bull Piney] needed a strict and disturbingly expensive diet of one protein and one starch for 8–10 months until he would become allergic to it. Then we’d have to switch to another protein-starch.

We’ve gone through a series of food combinations: there was pork and tapioca, then rabbit and sweet potatoes. We would go to the store once a week to pick up 6–8 rabbits and the guy at the store would say, “So, are you havin’ a party?” You don’t want to say, “No, I’m buying eighty dollars’ worth of rabbit for my dog.” You feel like an ass. And it’s weird to be feeding an animal that’s cuter than your pet to your pet. After that we went to bison, which I thought was extinct, and switched to kangaroo about six months ago. There’s a butcher out in Woodside, Queens, that you have to go to for kangaroo....

31 જુલાઈ, 2018

I love the voice and manner of the NYT "Daily" podcast host, Michael Barbaro, but I didn't know anything about him personally.

I wanted to write a post about this morning's new podcast, which is about how the Democratic Party really has no idea how to present itself to the American people (and a lot of the problem is Obama's fault), and I stumbled into "‘The Daily’ host Michael Barbaro splits from husband, dating female producer" (Page Six).
Political correspondent-turned-podcast star Barbaro married fellow Yale grad Timothy Levin in 2014 and has reportedly been known to make references to his husband on “The Daily.”...
I listen every day and have never noticed such references, and I think I would have. I love the gentle male voice but it had never occurred to me to think about the man's sexual orientation or whether he was married.
A source added of Barbaro and [Lisa] Tobin: “They work very closely together … part of the show’s success is this team’s close work.” The source said there is “nothing inappropriate” about the relationship.
Barbaro, we're told, had already broken up with Levin before getting involved with Tobin. (Too bad the headline creates the opposite impression. The headline is also bad for having a misplaced modifier that makes it look like Levin is dating Tobin.)
A gushing Vanity Fair profile this week dubbed Barbaro “the Ira Glass of the New York Times”...
Ha ha. So true. The voice!
VF’s piece added that the scene at the Times “can often resemble a large high-school cafeteria.” It seems like Barbaro and Tobin’s courtship has been the talk of the cool kids.
I'm just worried the relationship might go bad and mess up the show I love. But I'm sorry somebody's marriage broke up. Is there anything to say about the fact that a man who was married to a man is now interested in a woman? Marriages break up, even gay marriages. I guess, when your new partner is the opposite sex from your old partner, it highlights that your old partner lacked something that you seem to want now, but there are always differences when you switch from one individual to another, and no one outside of the relationships has a basis to know what were the differences that really mattered.

Back to today's show, about the Democratic Party. Here's the info page about it, "The Democrats' Comeback Plan/The party's seemingly narrow strategy for the 2018 midterm elections belies its big hopes for the future" — which sounds more optimistic about the Democrats than the show actually is. The show is much better than that headline makes it sound (and don't get me started about how confusing the word "belies" is).

29 નવેમ્બર, 2017

Another liberal icon falls: Garrison Keillor.

"Minnesota Public Radio (MPR) is terminating its contracts with Garrison Keillor and his private media companies after recently learning of allegations of his inappropriate behavior with an individual who worked with him."
Last month, MPR was notified of the allegations which relate to Mr. Keillor's conduct while he was responsible for the production of A Prairie Home Companion (APHC). MPR President Jon McTaggart immediately informed the MPR Board Chair, and a special Board committee was appointed to provide oversight and ongoing counsel....

MPR will end its business relationships with Mr. Keillor's media companies effective immediately. By terminating the contracts, MPR and American Public Media (APM) will: end distribution and broadcast of The Writer's Almanac and rebroadcasts of The Best of A Prairie Home Companion hosted by Garrison Keillor; change the name of APM's weekly music and variety program hosted by Chris Thile; and, separate from the Pretty Good Goods online catalog and the PrairieHome.org website.
ADDED: Keillor created a folksy character for himself, but if I ever believed it was anything like his real-life self, I quit believing that in 1993 when Spy Magazine pranked him (click to enlarge and read):



ALSO: From the NYT:
In his statement on Wednesday, Mr. Keillor said he was “deeply grateful” for the saga of Lake Wobegon and for all his years doing his radio programs and his tours, as well as the friendships of musicians and actors.

"I’m 75,” he said, “and don’t have any interest in arguing about this. I cannot in conscience bring danger to a great organization I’ve worked hard for since 1969,” he said. He also apologized to “all the poets whose work I won’t be reading on the radio and sorry for the people who will lose work on account of this.”...

“‘Prairie Home Companion’ came on the scene just as public radio was trying to figure out what its identity was,” Ira Glass, the host of “This American Life,” told The New York Times last year. “The fact that here was such a visibly weird, funny, idiosyncratic show opened up the space of other weird, idiosyncratic shows, like ‘Car Talk,’ and our show.”
We still have Ira Glass.

21 નવેમ્બર, 2016

"December 1, we'll probably start climbing out from the smoking ruin and say, 'anybody else alive around here?'"

"It'll be like The Walking Dead, right? We're going to try to come up with bands of people and walk across the country, and just not get ourselves killed or eaten, and hook up with people we think are not insane or horrible or in some way murderous. That's exactly what it's going to be like."

Post-election anxiety about putting the ruined party back together.

Imagined, pre-election, by a Republican.

I'm listening to the podcast of the episode of "This American Life" that aired on October 28th. The quote above is an answer to the question framed by host Ira Glass: "This is the big question for all these guys — what's their party going to be after November 8? What's it going to stand for?"  All these guys were "center-right" Republicans — "basically Reagan Republicans," guys with "old school conservative ideals." The guy answering the question is Rob Long of the podcast "Ricochet."

It's funny listening to the show now, because without saying as much, it's obviously premised on the assumption that Donald Trump is going to lose. I know "funny" isn't the word many people would use to describe the period of American life that began on Election Day night, and I'm sorry if I'm a bad person for finding it very funny. It's not that I'm happy with Trump. I wasn't a Trump supporter, but I couldn't stand Hillary either. I'm just experiencing a lot of the aftermath of the election as very funny. Like, why did we just spend the weekend talking about "Hamilton"?

23 ડિસેમ્બર, 2015

"The premise of Billy Collins’s poem 'The Afterlife' is that we all get the afterlife we believe in."

"Is it shallow to say that it’s led me to think, 'I need to switch what I believe in,' because I believe that when we die we flip off like light switches, for all eternity? I love that he imagines each different version of the afterlife with such efficient vaudeville comedy. 'The female God' is 'a woman in her forties with short wiry hair / and glasses hanging from her neck by a string.' I love that this is a funny poem about the worst thing ever. And that it’s properly unfunny in its closing lines."

Writes Ira Glass, one of the many people (mostly writers) who were asked "What’s Your Favorite Poem?" There are links to all the poems named. The Collins poem is here.

22 ડિસેમ્બર, 2015

"Did you know that you have been perpetrating covert propaganda on behalf of the United States government?"

Ira Glass confronts some lady who  tweeted "Clean water is important to me. I support EPA's efforts to protect it for my health, my family, and my community" — text written by the EPA, which it suggested that people copy and tweet as if it were coming straight from them. The Government Accountability Office ruled that the EPA violated federal law banning covert government propaganda. According to the GAO spokesperson, paraphrased by Glass:
[I]t's as if a government agency hired a spokesman to go on TV and talk up its programs, but the spokesman never revealed to anybody that he was being paid by the agency. He just acted like everything he was saying, praising the policies, were just beliefs that he had come to, on his own, just his personal opinion.
That's one segment of an episode of "This American Life" that's about the "Poetry of Propaganda." The entire thing is excellent. Transcript and audio at the link.

1 ડિસેમ્બર, 2015

"Gorgeous. Pretty. Stunning."/"Stunning? Yeah."/"You kill it. You're so pretty. So beautiful."

The extremely repetitious, endlessly affirming things teenagers comment on each others selfies on Instagram... analyzed in a segment of "This American Life" (transcript, as well as audio, at the link). Ira Glass is talking to 2 girls who are 13 and 14 and trying to figure out what he calls "dissecting and calibrating the minutiae of the social diagram."

The girls have "this thing they do all the time" and Ira has the thing that he does all the time, which is find what is surprising and profound inside whatever people are doing in this life.
This is super-affirming language that is applied equally to every girl, universally. You've heard of bullying online? This is the opposite.... So what's it about? Well, the answer to that question is complicated, and it involves going deep into an intricate language that's going on in the comments.... Then, of course, when you do post a comment about a picture, there's the whole politics of whether your friend is going to comment back to your comment. And subtle differences in the wording when they comment back could mean something, even though, to an outsider, the words basically look the same....

19 મે, 2014

Ira Glass had "no idea" who Jill Abramson is...

... and, informed of the fuss over her firing, said:
I hate reading media news so I actively sort of — I'm not interested in someone getting fired. No disrespect to people that are, but I literally had no idea who she was, or that she got fired until this moment.
On this one, Ira Glass...
  
pollcode.com free polls 

ADDED: I know, I know... I left off the option: I have no idea who Ira Glass is and I'm not interested in people not being interested in someone getting fired. No disrespect to people who are, but I literally had no idea who he was or that he was uninterested in media news until this moment.

11 મે, 2014

"It is all around us all the time. High people mingling with us, working, passing, laughing extra hard at our jokes. We don't even know why."

Said Ira Glass, introducing the "I Was So High" episode of "This American Life."

ADDED: Read this segment of the transcript, interviewing Dr. Ethan Bryson, author of "Addicted Healers/5 Key Signs Your Healthcare Professional May Be Drug Impaired":

10 મે, 2014

David Lee Roth explains the "no brown M&Ms" contract term.



The brown M&Ms strategy is discussed by Steven D. Levitt and Stephen Dubner, in "How to Trick the Guilty and Gullible into Revealing Themselves/It starts with a basic understanding of game theory and incentives."

Levitt and Dubner are the "Freakonomics" guys. They have a new book coming out Monday: "Think Like a Freak."

IN THE COMMENTS: I Have Misplaced My Pants said: "This American Life covered that territory years ago (explaining the brown M&Ms clause)." I don't know when the video I've embedded was recorded but it was uploaded in 2012. The "This American Life" episode — here, "Fine Print" — originally aired in April 2011, but Ira Glass is quoting David Lee Roth's autobiography, and that was published back in 1998. So Roth told his own story first. I'm just seeing it today because of that "Think Like a Freak" piece. I figure if I haven't seen something before, maybe you haven't. That said, I'm a big fan of "This American Life," and I've listened to nearly all the episodes, but I don't always remember what I've heard before. That "Fine Print" episode is one of the most law-oriented ones.

23 માર્ચ, 2014

Public Radio drops "This American Life"!

Oh, no!

ADDED: Ira Glass says the loss of the distributor PRI won't change anything from the listeners' perspective:
Most listeners I meet seem utterly unaware of who our distributor is, or they think – mistakenly – that we’re part of NPR. NPR is the company that puts out Morning Edition and All Things Considered and many fine programs. But there are several other companies that distribute public radio shows around the country. Local public radio stations get shows from all of them.

We’ll announce sometime soon what our new plan is to distribute the show to radio stations.

19 માર્ચ, 2012

"Making people care" — Mike Daisey's justification for folding fake drama into a more or less true story.

David Carr analyzes the theater/journalism borderline, looking at Daisey's "The Agony and the Ecstasy of Steve Jobs" (the subject of this week's "Retraction" on "This American Life") and "Kony 2012" (the viral video whose producer, Jason Russell, was found, last Friday, naked and ranting on the streets of San Diego). Daisey says he "was terrified" that if he "untied" the fake parts of his theater monologue (to meet the standards of "This American Life") that "the work, that I know is really good, and tells a story, that does these really great things for making people care... would come apart in a way where, where it would ruin everything."

I listened to the "Retraction" episode of "This American Life," and was captivated and repulsed by the replays of the "The Agony and the Ecstasy," with Daisey's heavy-handed phrasing and gulping passionate voice. He injects Apple is eeeevvvilll directly into the theatergoer's brain. You hear the audience reaction and feel them in his manipulative hands. This is art! But it's journalism too. All you have to do is say it has fictionalized elements, and you're in the powerful realm of "Uncle Tom's Cabin" and "The Jungle."

Carr says:
I am a longtime fan of “This American Life,” but I have never assumed that every story I heard was literally true. The writer and monologist David Sedaris frequently tells wonderful personal yarns on the show that may not be precisely true in every detail....
Yes, what exactly is the difference between Sedaris and what Daisey did? One is humor and the other drama? But both humor and drama employ exaggerations, composites, and invention. One is only trying to entertain and the other is trying to incite political action? That's more like it. One is an author telling stories on himself (and his friends and family) and the other has identified a target and intends a vicious attack that will cause real harm. That matters.

Now, Daisey stresses the victims of his victim: the workers in China, the people he made the audience care about by making up dramatic scenes that, it turns out, never happened, like the man with a hand that was mangled making an iPad who gets to touch, with that mangled hand, a finished iPad, and he strokes it and calls it "magical." This is a version of what is the classic melodramatic encapsulation of the plight of the factory worker: He labors over the creation of a product that he can never own.

Carr — writing in the NYT — turns to the NYT journalists who published a series of articles "investigating Apple’s suppliers... that may have contained a bit less drama, but landed hard." I presume these articles are accurate, but how do I know? Carr anticipates the reader's skepticism about the trustworthiness of professional journalists (who can't make the I'm-an-artist defense when they are caught faking). He ends his article with a coy reference to "an e-mail to someone I know who is an expert on journalistic malfeasance [askins] if, in a complicated informational age, there was a way to make sure that someone telling an important story had the actual goods." We get a quote from this character, a quote that's only worth quoting to get to the revelation that it's Jayson Blair. Somehow the NYT expects you to remember who Blair is... or they're hoping we've forgotten.

I put that link on Blair's name. It's not in Carr's article — and it's even a link to the NYT. Blair's articles seemed so good because they included vivid details that extracted empathy from the reader:
Some of Mr. Blair's articles in recent months provide vivid descriptions of scenes that often occurred in the privacy of people's homes but that, travel records and interviews show, Mr. Blair could not have witnessed.

On March 24, for example, he filed an article with the dateline Hunt Valley, Md., in which he described an anxious mother and father, Martha and Michael Gardner, awaiting word on their son, Michael Gardner II, a Marine scout then in Iraq.

Mr. Blair described Mrs. Gardner ''turning swiftly in her chair to listen to an anchor report of a Marine unit''; he also wrote about the red, white and blue pansies in her front yard. In an interview last week, Mrs. Gardner said Mr. Blair had spoken to her only by phone.
Why lie about pansies? Red, white and blue pansies. To make you care. You can't be relied upon to care based on journalistic facts alone. Those who would manipulate your political opinions know they need to pull at your heart. They give you flowers. They give you an old man with a shaking, mangled hand.

From the "This American Life" transcript (boldface added):
Mike Daisey: And everything I have done in making this monologue for the theater has been toward that end – to make people care. I’m not going to say that I didn’t take a few shortcuts in my passion to be heard. But I stand behind the work. My mistake, the mistake that I truly regret is that I had it on your show as journalism and it’s not journalism. It’s theater. I use the tools of theater and memoir to achieve its dramatic arc and of that arc and of that work I am very proud because I think it made you care, Ira, and I think it made you want to delve. And my hope is that it makes – has made — other people delve....

And I stand by it as a theatrical work. I stand by how it makes people see and care about the situation that’s happening there. I stand by it in the theater. And I regret, deeply, that it was put into this context on your show.
Make people care. This is the what we are exposed to when we encounter text. An author is trying to make you care. And maybe you feel that upwelling of caring — empathy... ah, the twinges of humanity. Aren't you a good person to surrender to the injection of caring about the thing you've been manipulated into caring about?

Make people care. May I suggest that you shift your focus from "care" to "make"? Someone is trying to make you feel/think what they want you to feel/think. They'd like you to directly internalize the viewpoint they have chosen and do not want to try to prove on facts and reason alone. Resist!

There. Was that dramatic enough to make you care about resisting the writers who are out to make you care?

18 માર્ચ, 2012

"Yeah. We have different worldviews on some of these things. I agree with you truth is really important."

Says Mike Daisey to Ira Glass, who responds: "I know but I feel like I have the normal worldview. The normal worldview is somebody stands on stage and says 'this happened to me,' I think it happened to them, unless it's clearly labeled as 'here's a work of fiction.'"

Some artists (and propagandists) will disagree, but I hope Glass is right.

ADDED: You can listen to the new "Retraction" episode of "This American Life" here (where there is also a link to the transcript PDF).
Ira Glass: You put us in this position of going out and vouching for the truth of what you were saying and all along, in all of these ways, you knew that these things weren’t true. Did you ever stop and think, okay these things aren’t true and you have us vouching for their truth?

Mike Daisey: I did, I did. I thought about that a lot.

Ira Glass: And just what did you think?

Mike Daisey: I felt really conflicted. I felt... trapped.
Fascinatingly, it turns out that Daisey had once done a story about that "Million Little Pieces" guy, James Frey, who got into so much trouble for palming off a fictionalized story as a memoir. A big part of the trouble was that Oprah Winfrey had promoted Frey's book. The section of the interview where Glass brings up Frey ends like this:
Ira Glass: I have such a weird mix of feelings about this, because I simultaneously feel terrible, for you, and also, I feel lied to. And also I stuck my neck out for you. You know I feel like, I feel like, like I vouched for you. With our audience. Based on your word.
I was your Oprah!
Mike Daisey: I’m sorry.

16 માર્ચ, 2012

"I have difficult news," says Ira Glass.

Ira Glass, of the much-acclaimed Public Radio show "This American Life":
We've learned that Mike Daisey's story about Apple in China - which we broadcast in January - contained significant fabrications. We're retracting the story because we can’t vouch for its truth. This is not a story we commissioned. It was an excerpt of Mike Daisey's acclaimed one-man show "The Agony and the Ecstasy of Steve Jobs," in which he talks about visiting a factory in China that makes iPhones and other Apple products.
The NYT also must retract:
Some of Mr. Daisey’s stories about Foxconn were also included in an online-only Op-Ed article that he wrote for The New York Times last October. He wrote, “I have traveled to southern China and interviewed workers employed in the production of electronics. I spoke with a man whose right hand was permanently curled into a claw from being smashed in a metal press at Foxconn, where he worked assembling Apple laptops and iPads. I showed him my iPad, and he gasped because he’d never seen one turned on. He stroked the screen and marveled at the icons sliding back and forth, the Apple attention to detail in every pixel. He told my translator, ‘It’s a kind of magic.’ ”

According to Mr. Schmitz, the translator said that did not happen. On Friday afternoon, The Times added an editors’ note to the Op-Ed article that reads: “Questions have been raised about the truth of a paragraph in the original version of this article that purported to talk about conditions at Apple’s factory in China. That paragraph has been removed from this version of the article.”

2 જુલાઈ, 2008

"The cover photo of the TIMES Sunday magazine depicts Limbaugh 'dark and sinister' in a theme of THE GODFATHER."

Ha ha. Well, the Times is expressing its own entirely appropriate feeling of intimidation — for the man who likes to call himself "a harmless little fuzzball." And the hot news is that Limbaugh has signed a deal for $400 million to do his show through 2016.

UPDATE: The NYT has now made the whole article available. (It's from the Sunday Magazine.) I'll read it and write something more in a few minutes.

MORE: The article, by Zev Chafets, describes his entry into Rush's Palm Beach studio:
... I was met by Bo Snerdly — a very large man in a Huey Newton beret — who glared at me. “Are you the guy who’s here to do the hit job on us?” he demanded in a deep voice.

“Absolutely,” I said.

Snerdly, whose real name is James Golden, held my eyes for a long moment before bursting into emphatic laughter.
Chafets describes watching the show.
Unlike Howard Stern or Don Imus, he has no sidekicks with him in the room. He does, however, keep up a running conversation with an unheard voice. I always assumed that this was just imaginary radio shtick. Now I saw that the voice was attached to a human interlocutor, Snerdly, who banters with and occasionally badgers Limbaugh via an internal talk-back circuit.
Yes, you can tell when you listen to the show that someone is talking to him (or perhaps writing to him). Occasionally, it's like a Bob Newhart telephone routine where you have to imagine what is being said on the other end of the line, and that's part of why it's funny.

From the interview:
“I’ve never even met [John McCain], never spoken to him,” Limbaugh said. “I’m sure there are things about him I’d like if we meet. This isn’t personal.” He then delivered a litany of the presumptive nominee’s personal failings — too old, too intense, too opportunistic, too liberal. But, he assured me, he would be with McCain in the fall. “It’s like the Super Bowl,” he told me. “If your team isn’t in it, you root for the team you hate less. That’s McCain.”

It already seemed, when I made my visit, that McCain’s opponent might well be Senator Obama, and I was curious to know how Limbaugh planned to take on America’s first African-American major-party nominee. “I’ll approach Obama with fearless honesty,” said Limbaugh, who speaks of himself in heroic terms on air and off. “He’s a liberal. I oppose liberals. That’s all that’s involved here.”

I asked if he had any specific tactics in mind.

“I haven’t yet figured that out exactly,” he said. “You know, I’ve had a problem with substance abuse. I don’t deal with the future anymore. I take things one day at a time.”
That last line is self-deprecating and (I think) humorous, but I think he knows that doing things day-by-day keeps the show alive and makes it work. It's what works in blogging too. If you have a whole planned agenda and you just crank out the propaganda, people will get sick of you. It's when you are talking/writing to figure out what you think, to find out what you want to say, that you are interesting. (They didn't do that on Air America.)

More to come... I have to shut down this computer so I can unplug it. A thunderstorm is rolling it, and I want to survive.

MORE: Chafets shows some admiration for Rush:
But Operation Chaos was a triumph of interactive political performance art....

Such massive and consistent popularity makes Limbaugh a singular political force....

“Rush is just an amazing radio performer,” says Ira Glass, a star of the younger generation of public-radio personalities. “Years ago, I used to listen in the car on my way to reporting gigs, and I’d notice that I disagreed with everything he was saying, yet I not only wanted to keep listening, I actually liked him. That is some chops. You can count on two hands the number of public figures in America who can pull that trick off.”

Glass compares Limbaugh to another exceptional free-form radio monologist, Howard Stern. “A lot of people dismiss them both as pandering and proselytizing and playing to the lowest common denominator, but I think that misses everything important about their shows,” he says. “They both think through their ideas in real time on the air, they both have a lot more warmth than they’re generally given credit for, they both created an entire radio aesthetic.”
Glass — who is one of the public figures in America who should be counted on those 2 hands — is absolutely right about Limbaugh and Stern. That explains very well why I listen to all 3 men. (IMPORTANT NOTE: Rush, Howard, and I have the same birthday.)

There's some interesting material about his expensive lifestyle:
There are five homes — all of them his — on the property. The big house is 24,000 square feet. Limbaugh lives there with a cat. He’s been married three times but has no children.
Perhaps he'll leave a fortune to his cat.
A life-size oil portrait of El Rushbo, as he often calls himself on the air, hangs on the wall of the main staircase.
Remember, today's blog themes are: wealth, pets, and grotesque.
Unlike many right-wing talk-show hosts, Limbaugh does not view France with hostility. On the contrary, he is a Francophile. His salon, he told me, is meant to suggest Versailles. His main guest suite, which I did not personally inspect, was designed as an exact replica of the presidential suite of the George V Hotel in Paris.
Hmmm... Chafets should have listened to a few more shows! Liking the artwork isn't the same as liking the politics.
His staff lights fragrant candles throughout the house to greet his arrival from work each day.
So he wasn't lying when he was going on and on about jumbo-sized, gardenia-scented candles the other day.

There's some good stuff about Rush's father:
To this day, Limbaugh calls his father “the smartest man I’ve ever met.”

Certainly he was one of the most opinionated and autocratic. “On Friday nights my friends would come over to the house just to listen to my dad rant about politics,” Limbaugh recalls. “He was doing the same thing as I do today, without the humor or the satire. He didn’t approve of making fun of presidents. He didn’t think that sort of thing was funny.”
It's funny how his father's behavior became the idea for the show. Imagine taking your father's cranky rants, making them funny and getting the whole country for your equivalent of the living room. Think about it. Think about ways you can emulate and one-up Dad. Are you replaying your father's routine in your daily work? My father used to trap me into discussions of all the big issues and drove me to tears by applying the Socratic method — he called it the Socratic method. He was all about requiring that I define my terms, recognize that my answers were "semantics," and explain how I was going to get "from point A to point B." And now here I am, a law professor. These things happen.
Dick Adams, Rush’s boyhood friend and high-school debate partner, told me: “Mr. Limbaugh didn’t suffer fools lightly, let’s just put it like that. Many times I was over there when he called down Rush or David in harsh tones. There was usually a string of expletives attached.”
Yikes. Later:
He is less like his angry father than his mature role models, Buckley and Reagan, for whom sociability and fun were integral to their conservative world view.
This is interesting:
Jay Nordlinger, a senior editor at The National Review, watched Limbaugh’s tutelage under Buckley, and he takes Limbaugh seriously as a polemicist and public intellectual. “I hired a lot of people over the years, fancy kids from elite schools, and I always asked, ‘How did you become a conservative?’ Many of them said, ‘Listening to Rush Limbaugh.’ And often they’d add, ‘Behind my parents’ back.’ ”
This too:
Limbaugh works extemporaneously. He has no writers or script, just notes and a producer on the line from New York with occasional bits of information. That day, and every day, he produced 10,000 words of fluent, often clever political talk.
I thought he was reading off a script prepared by others much of the time. But he wants you to think this is just what bursts out of his head. It's damned impressive if it really does.

On Limbaugh's drug problem:
Being Limbaugh, he said he believes that most of these shortcomings stemmed from his inability to love himself sufficiently. “I felt everyone who criticized me was right and I was wrong,” he confided. But, he says, he left his insecurities behind in Arizona. “It’s not possible to offend me now,” he said. “I won’t give people the power to do it anymore. My problem was born of immaturity and my childhood desire for acceptance. I learned in drug rehab that this was stunting and unrealistic. I was seeking acceptance from the wrong people.”
How is that "being Limbaugh"? Isn't the need to love yourself stock advice in recovery programs? And doesn't Limbaugh usually ridicule the self-esteem movement?

On Bill O'Reilly:
He hadn’t been sure at the time that he wanted [his opinion] on the record. But on second thought, “somebody’s got to say it,” he told me. “The man is Ted Baxter.”
He likes Ann Coulter, Camille Paglia, Thomas Sowell, and Christopher Hitchens.

Nice article. A very positive, admiring picture of the man — not at all in keeping with the ominous cover photograph. There's some critique in there, but basically, it's obvious that the reporter had a great time hanging out with Rush Limbaugh.

21 એપ્રિલ, 2007

The ups and downs of blog comments.

Glenn Reynolds notes this NPR discussion about the difficulties of maintaining a comments section on a blog:
[MODERATOR ADAM] DAVIDSON: Jacquelyn Schlesier is a full-time moderator for Chowhound, a food discussion Web site. She says keeping things civil is a lot of work. She spends as many as 12 hours a day reading through posts and deleting anything offensive, abusive or off-topic. It's a food blog. How bad can things get? Really bad, Schlesier says, especially with some topics.

Ms. SCHLESIER: Children in restaurants - children in restaurants is an issue that Chowhounds cannot discuss civilly.

DAVIDSON: People can generally say anything they want about food or restaurants, but they can't insult each other. She says she just about never gets the truly nasty kind of posts that Kathy Sierra faced. That's because long ago, Chowhound established a tone.

Ms. SCHLESIER: Kids learn what's acceptable and how to behave in the real world by how they see other people around them and how they see adults behave. People in communities learn the same way.

DAVIDSON: But keeping things civil on Chowhound takes three paid moderators and 12 volunteers. They spend hundreds of hours a week getting rid of all the mean comments. A lot of people who run Web sites don't have that kind of time.

Ira Glass hosts the public radio show "This American Life." The show hosted a Web discussion board for years until one week, his show featured a story about a troubled relationship between a woman and her two daughters.

IRA GLASS: The day after it aired, people started posting to the bulletin board, saying that the girls were sluts and that the mom was a terrible mom. And it continued, and finally, we killed it. We killed the discussion board.

DAVIDSON: Glass didn't want to feel responsible for hosting nasty comments about people who bared their souls on his radio show.

Mr. GLASS: We could actually, you know, devote staff time and look at the board and monitor it and all. But, I mean - and the truth is, you know, what we wanted to do is make a radio show.

DAVIDSON: There's surely many like Glass, people who just don't have the time or inclination to enforce civility on their Web sites. And without people enforcing it, the online code of ethics is unlikely to have much impact.
Glenn adds:
People just tend to get nasty on the Web; the subject at hand, whatever it happens to be, isn't so much a provocation as an opportunity.
That all makes comments seem like a lost cause!

As for me and blog comments, I was against them before I was for them. Here's what I said on the subject at that blogging and politics panel I did here at Dartmouth College on Thursday:



(The video is straight off my MacBook laptop. I hope you enjoy the comical way my hand hogs the screen at the expense of my face.)

24 જુલાઈ, 2005

"This American Life" -- the TV show.

I love "This American Life." Often, when it's on, I get in the car and go for an hour-long drive, just to enjoy the pleasures of radio. Isn't radio best in the car, merging the music or the words with the landscape?

But now, Ira Glass is working on making his radio show into a TV show. And why not? Everyone assumes TV is a step up from radio. And don't we bloggers all really think it's better to be on the radio and still better to be on TV? It shouldn't be, should it? But we can't help feeling that TV is the best place to be, where everyone sees you!

Hmmm... oh so that's what Ira Glass looks like. He's quite a bit handsomer than his nerdy voice makes him "look" on the radio. Most radio folk have beautiful, sonorous voices that make actually seeing them quite a letdown.

Ah... the article talks about the difference seeing things makes:
Both the stories featured in the pilot were also produced for the radio show. One is about a couple who cloned their prized bull; the other is about a good-natured prank that goes awry. In comparing the two formats, Mr. Glass discovered the effect of seeing people otherwise left to a listener's imagination. One man's face time in the television segment had to be cut down because he came off as much more insincere on screen than on the radio. The narrative, which had been so finely balanced on radio, was suddenly thrown off kilter.

"On the radio, you become the character," Mr. Glass explained. "But when you see someone on TV, you come to all sorts of conclusions about who they are, based on their hair and what they are wearing."