"Moby Dick" లేబుల్‌తో ఉన్న పోస్ట్‌లను చూపుతోంది. అన్ని పోస్ట్‌లు చూపించు
"Moby Dick" లేబుల్‌తో ఉన్న పోస్ట్‌లను చూపుతోంది. అన్ని పోస్ట్‌లు చూపించు

19 జనవరి, 2009

"We're wrapping up a presidency led me a man his own team has described as 'not a big reader.'"

And we're reading a post by a blogger — Steve Benen — who is not a big proof-reader.

Let's put aside the issue of whether George Bush is a big reader or not. (Karl Rove says he is. Richard Clarke said he's not.) I'd like to talk about the front-page NYT article that Benen links to, about what a different kind of reader Barack Obama is. Michiko Kakutani writes:
Mr. Obama tends to take a magpie approach to reading — ruminating upon writers’ ideas and picking and choosing those that flesh out his vision of the world or open promising new avenues of inquiry.

His predecessor, George W. Bush, in contrast, tended to race through books in competitions with Karl Rove.... or passionately embrace an author’s thesis as an idée fixe. Mr. Bush and many of his aides favored prescriptive books — Natan Sharansky’s “Case for Democracy,” which pressed the case for promoting democracy around the world, say, or Eliot A. Cohen’s “Supreme Command,” which argued that political strategy should drive military strategy. Mr. Obama, on the other hand, has tended to look to non-ideological histories and philosophical works that address complex problems without any easy solutions, like Reinhold Niebuhr’s writings, which emphasize the ambivalent nature of human beings and the dangers of willful innocence and infallibility.

What’s more, Mr. Obama’s love of fiction and poetry — Shakespeare’s plays, Herman Melville’s “Moby-Dick” and Marilynne Robinson‘s “Gilead” are mentioned on his Facebook page, along with the Bible, Lincoln’s collected writings and Emerson’s “Self Reliance“ — has not only given him a heightened awareness of language. It has also imbued him with a tragic sense of history and a sense of the ambiguities of the human condition quite unlike the Manichean view of the world so often invoked by Mr. Bush.
Is reading to pick out the parts that fit your pre-existing vision more impressive than reading to grasp the author's vision? And, more importantly, since her writing oozes with preference for Barack Obama, why should we believe Kakutani's representation that Bush's books are ideological and Obama's are not?

Finally, there's this notion that fiction reading is what really develops your mind, which, I've long suspected is a pet belief of fiction readers. Immersed in their stories, they imagine — they're so imaginative — that they are better than people who read history and biography and so forth. In any case, Bush did read novels — notably "The Stranger."

But Bush just can't get credit for anything these days, can he?

16 జులై, 2005

The color of movies.

Martin Scorsese just came out with two lists of ten films that have the best use of light and color.
English Language Films

1. Barry Lyndon (1975, Dir. Stanley Kubrick; Cin. John Alcott)

2. Duel in the Sun (1946, Dir. King Vidor; Cin. Lee Garmes, Ray Rennahan, Hal Rosson)

3. Invaders From Mars (1953, Dir. William Cameron Menzies; Cin. John F. Seitz)

4. Leave Her to Heaven (1946, Dir. John M. Stahl; Cin. Leon Shamroy)

5. Moby Dick (1956, Dir. John Huston; Cin. Oswald Morris)

6. Phantom of the Opera (1943, Dir. Arthur Lubin; Cin. W. Howard Greene, Hal Mohr)

7. The Red Shoes (1948, Dir. Michael Powell, Emeric Pressburger; Cin. Jack Cardiff)

8. The Searchers (1956, Dir. John Ford; Cin. Winton C. Hoch)

9. Singin’ in the Rain (1952, Dir. Stanley Donen, Gene Kelly; Cin. Harold Rosson)

10. Vertigo (1958, Dir. Alfred Hitchcock; Cin. Robert Burks)


International Films

1. Contempt (1963, Dir. Jean-Luc Godard; Cin. Raoul Coutard; France/Italy)

2. Cries and Whispers (1972, Dir. Ingmar Bergman; Cin. Sven Nykvist; Sweden)

3. Gate of Hell (1953, Dir. Teinosuke Kinugasa; Cin. Kohei Sugiyama; Japan)

4. In the Mood For Love (2000, Dir. Wong Kar-Wai; Cin. Christopher Doyle, Mark Lee Ping-bin; Hong Kong)

5. The Last Emperor (1987, Dir. Bernardo Bertolucci; Cin. Vittorio Storaro; Italy/United Kingdom/China/Hong Kong)

6. Red Desert (1964, Dir. Michelangelo Antonioni; Cin. Carlo Di Palma; France/Italy)

7. The River (1951, Dir. Jean Renoir; Cin. Claude Renoir; India/France/United States)

8. Satyricon (1969, Dir. Federico Fellini; Cin. Giuseppe Rotunno; Italy/France)

9. Senso (1954, Dir. Luchino Visconti; Cin. G.R. Aldo, Robert Krasker, Giuseppe Rotunno; Italy)

10. Shadows of Forgotten Ancestors (1964, Dir. Sergei Paradjanov; Cin. Viktor Bestayev, Yuri Ilyenko; Russia/Ukraine)

This is clearly a very idiosyncratic list. Just look at the dates: Scorsese is pointing to the films that influenced him in his impressionable years. We already knew how gaga he is for "Duel in the Sun" (a cheesy Western sometimes referred to as "Lust in the Dust").

Maybe in the comments you can come up with some alternatives. Is there a movie that springs my mind for its color? Not really. Those extra-vivid Technicolor movies like "Vertigo" and "The Birds" crowd out more subtly colored recent movies that I find more appealing. Any ideas?

27 ఫిబ్రవరి, 2005

Podcasting.

I'm not saying I'll ever podcast, but I'm trying to figure out how I would do it with my iBook. I've got a decent microphone, which came with ViaVoice. (ViaVoice -- a dictation to typing program -- made me imagine it would make work wondrously easier. It did not. It just introduced a weird new world of tasks, along with a certain amount of found humor, similar to spellcheck humor, as it heard what you said and guessed what word you meant. It didn't know any of the proper nouns in the cases I was writing about, so the writing was full of ridiculous substitutions. You spend a lot of time correcting errors and trying to get it to understand you. Trying to get an inanimate thing to understand you is a chump's game. It's not going to fall in love with you. My ViaVoice relationship was doomed to remain forever at the dictation-to-typing level.)

I've read you can do the basic recording for podcasting in Garage Band, which is a fancy program designed to do so much more than voice recording. It becomes an effort to get the fancy stuff out of your way just to record. I couldn't figure out how to pause. And then I got distracted by the fancy stuff that was easy to figure out and recorded multiple voice tracks in the manner of Glenn Gould's "Solitude Trilogy" (remember "The Idea of North" in "32 Short Films About Glenn Gould"?).

So I need to be able to pause. Voice activation would be better. And Garage Band doesn't take you from recording to a file you can put up on the blog. I like how easy it is to use iPhoto to get the photos up on the blog (though I must admit it took me a long time to figure out how to do it). Shouldn't podcasting be part of iLife? But iBlog wasn't even an Apple product.

Any advice? I mean simple, Macintosh advice.

UPDATE: A very nice emailer has helped me up to the point where I can record in Garage Band -- the space bar works to pause -- and make an MP3 file by importing it into iTunes and converting it. After that, I'm stymied. I was going to put it onto my Mac.com homepage, but the file is 2 MB and that will use up too much space too quickly. Then there's the whole RSS aspect to it all that I don't even want to think about yet. I hit the wall, tech-wise, for the day just getting this far.

MORE: It troubles me to see how much memory an audio file uses, even saved at a low quality level. A text file of the entire novel "Moby Dick" is less than my little 10 minute blabber. Isn't that just wrong?

21 మార్చి, 2004

What plays did William Faulkner see? What did he read? I hadn't exactly been wondering, but this article by Javier Marías in Threepenny Review (linked by A&L Daily) has some answers:
Faulkner was a taciturn man who loved silence, and he had only been to the theater five times in his entire life: he had seen Hamlet three times, A Midsummer Night's Dream, and Ben Hur, and that was all. He had not read Freud, either, at least so he said on one occasion: "I have never read him. Neither did Shakespeare. I doubt if Melville did either and I'm sure Moby Dick didn't." He read Don Quixote every year.
Ah! I love silence too. And I've been meaning to read Don Quixote ... there's that new translation ...

I liked this part of the article too, about how he lost his job as a post office clerk at the University of Mississippi:
Apparently one of the lecturers there, quite reasonably, complained: the only way he could get his mail was by rummaging around in the rubbish bin at the back door, where the unopened bags of post all too often ended up. Faulkner did not like having his reading interrupted, and the sale of stamps fell alarmingly; by way of explanation, Faulkner told his family that he was not prepared to keep getting up to wait on people at the window and having to be beholden to any son-of-a-bitch who had the two cents to buy a stamp.

Sounds like Newman on Seinfeld ("The Andrea Doria"). I'd watch a sitcom about this Faulkner character. And don't just tell me to watch Barton Fink--Joel Coel is on record saying the John Mahoney character isn't much like Faulkner.