How Dylan felt in 1987, coming off a tour with Tom Petty and the Heartbreakers:
I felt done for, an empty burned-out wreck. ... Wherever I am, I'm a 60's troubadour, a folk-rock relic, a wordsmith from bygone days, a fictitious head of state from a place nobody knows. [P. 147.]How he felt about his old songs then:
It was like carrying a package of rotting meat. [P. 148.]Line on p. 147 that foreshadows the role the Grateful Dead would play in his revival:
It's nice to be known as a legend, and people will pay to see one, but for most people, once is enough.Obviously, the Grateful Dead, who show up on p.149, knew how to do live shows that stoked a hunger to see multiple shows. The Dead challenge him to do much more with his old songs than Tom Petty ever had, and he runs off, has a drink in a bar, and feels transformed by the singer of a jazz combo in the bar. Then he's able to go back and sing again with the Dead. He seems to enjoy giving credit to the unnamed jazz combo in the bar and unwilling to credit the Dead. Somehow, I suspect it was the Dead that shocked him out of his complacency, that their ability to inspire people to come back to see them over and over made him jealous, and that the drink and the mellow music only allowed him to calm down and meet the challenge the Dead had laid in front of him.
Most grandiose statement in the book so far:
If I didn't exist, someone would have to have invented me. [P. 153.]Dylan's attitude toward his fans from the 60s (like me):
[T]his audience was past its prime and its reflexes were shot. [P. 155.]Secret to a system of playing the guitar taught by aging blues guitarist Lonnie Johnson:
[T]he number 3 is more metaphysically powerful than the number 2. [P. 159]
Second reference in the chapter to songs as meat:
I had been leaving a lot of my songs on the floor like shot rabbits for a long time. [P. 162.]Thing on TV that bums Dylan out: Johnny Carson does not ask soul singer Joe Tex to come sit on the couch after his song. P. 163. He seems to view this as a specific rejection of Joe Tex--did Johnny invite the singers over generally?--and he identifies with Joe Tex. Outsider.
Great play that just seemed like a big drag: "A Long Day's Journey Into Night." P. 167.
What spending time with Bono is like: "eating dinner on a train." [P. 174.]
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