"I'm really good at real estate and fixing things. I fix things very good..... I always build beautiful and inexpensive.... I can do it naturally.... It actually relaxes me...."

"If you would have seen the White House...  it was in horrible condition.... The plaster was falling off the exterior.... They had four or five windows where literally the ornamentation was up on one side and had fallen off or half fallen off in the other. And I fixed it. We made a mold of the good one and we put it on the other one and we got it all beautiful. And then we skim coated with an exterior plaster that's phenomenal. The entire exterior with the best artisans you've ever seen.... The White House is now in better shape than it was in 1792, when it was built.... Look, tell Obama the following: The White House is a symbol of America. And when it's dirty, filthy dirty and broken, when the windows are cracked, when the exterior monuments — they call them monuments on the outside — when they're good on one side but missing on the other side of a window, people notice that... 20 years ago, I came into the White House and... I said, 'Man, this place is in bad shape.'... It's been a long time... and I made up for lost time.... And I didn't take any time. I'd literally do it when I walk home from the Oval. I'd walk I'd look up. I'd say, 'Boy, that wall is really bad. Let's go. We got to fix it, fellas.'... And I would try and explain that to a guy like Obama, but he wouldn't understand. He doesn't he doesn't understand the White House has to be clean, pristine, beautiful. It can't have cracks in the column. It can't have big blotches of stone laying outside on the ground from 30 years ago.... Nobody loved it like I do. Nobody loved it. And now the White House is in beautiful shape...."

Does Obama even know what cheesecake is?

I've listened to this 20 times:

I believe he's trying to talk like a standup comedian. I feel as though he's been coached on how to sound like a standup comedian who is also the Obama who once presided over what's now supposed to be remembered as a golden age.

That's not easy, but when he gets to his big punchline — "He's got the White House looking like Saddam Hussein opened a Cheesecake Factory" — it's like he doesn't even know what cheesecake is let alone have any familiarity with the restaurant chain a lot of Americans regard as a pretty nice place to go out to eat.

"All of us are going to die. Sometimes the time we have spent on things has far less meaning than the time we spend with God, the quality time we give to God...."."

Said the Rev. Patricio Alfredo Sánchez Molinari, speaking of timeliness and death, quoted in "Priest Dies After Crucifix Falls on Him During Livestreamed Mass/The Rev. Patricio Alfredo Sánchez Molinari was addressing his congregation in Guayaquil, Ecuador, when a wooden cross detached from a wall and struck him" (NYT).

That happened Saturday. In a similar event, on Friday, "Visitor Killed by Roof Debris at Frank Lloyd Wright’s Taliesin West/A 55-year-old rector from a university in Brazil was killed while on a walking tour of the famed architect’s winter home in Scottsdale, Ariz." (NYT).

A question I asked Grok: What are some other incidents of a person getting killed by an object that has some ironic significance? On my own, I only thought of [that character I falsely remember as having been played by] Daniel Day-Lewis in "Howard's End."

Reading this, you may wonder, am I spending my time well? Death is right there walking beside you, ready to take you out when the time is right.

"Everything we saved and left rough is controlled — it’s what we really want. Our research... is based on real and true architecture."

"To us, there is no skin in architecture. We have just the bones, and we show everything that is important to be shown for the understanding of the building."

Said the architect/owner, quoted in "In Italy, a Townhouse Where Polished Gives Way to Ragged and Raw/An architect laid bare the imperfections of his home renovation to fully reveal the building, and leave room for later inspiration" (NYT).

That's a gift link, so go over and see the pictures of what he did to the place. It had been "completely renovated in the 1970s." According to the architect, "It was beautiful and really bourgeois." I can see objecting to the "bourgeois," but where does that take you?

Julianne Moore wants you to see her interact charmingly with all the cool objects she has in her apartment.

Including a copy of "The Joy of Sex," which she keeps on the table by the bed because she's making a movie out of it. I guess it's like that time Woody Allen made a movie out of "Everything You Always Wanted to Know About Sex/But Were Afraid to Ask." Oh, no, actually, per IMDB, it's the story of the the author, his wife, and his wife's best friend. Somehow they lived in a way that inspired the big best seller.

My favorite part of the Architectural Digest video? When she pulled the sleeve of her sweater over her hand and used it to polish the nickel light switch in the bathroom. The wealth + humility mix was ideal. 

"Following a 19-month effort by President Donald Trump to take control of the arts center, its board voted to close the building Tuesday..."

"... as Trump, who has demanded his name be added to the institution, threatened to cancel a more than $250 million renovation. The president said Wednesday that without his intervention the building could be 'ripped down.'"

I'm reading "What Washington lost when the Kennedy Center closed/We asked Washington Post readers to share memories of the storied arts hub. Hundreds responded" (gift link so you can see the selected memories).

"'Every day, another church is sold,' said Lilian Grootswagers-Theuns, the president of the advisory board for Future for Religious Heritage.... 'This is happening everywhere in Europe...'"

"'... in Germany, Sweden, Spain and Italy. It’s already going very fast,' she said. 'But now we’re going fast-forward. Now, there’s a tsunami coming.' Churches, once central to European cultural life, were typically situated in the heart of a city and built to last. 'Before you even had the nations, you had a European tradition going back to the fourth century of having a church for each city, each village,' said Barbara Welzel, a professor of art history and cultural education.... These days, parishes may merge or unused churches be sold for private use, like homes or hotels. Sometimes communities rally to save their local church buildings and use them as tourist sites, cultural venues or health care centers. Some priests simply walk away. 'In some churches, they really throw away the key,” [Hedwig Fijen, the director of the 'roving art biennial' Manifesta, said.] 'I’ve found sacred objects in the garbage bin.'"

From "What to Do With Europe’s 'Zombie Churches'? These Artists Have Some Ideas. As the continent’s ties to Christianity fade, churches are being abandoned. But some see a chance to transform them into communal spaces like care centers or venues for the arts" (NYT gift link).

The astounding delusion of Neom.

ADDED: Back in 2021, I blogged a NYT article about the the part of the project called "the Line" —  "a postmodern ecotopia... a narrow urban strip 106 miles long with no roads, no cars and no pollution...." Here's how Saudi Arabia announced the project:

"[T]he house has a 'liquid layout,' with arcing walls and long curtains that soften the effect of the glass and shiny new resin floors."

"You hear visitors in the entry vestibule before you see them and when friends come for dinner, they meet for cocktails in a lounge with low gray furniture — the ceilings are just under seven feet high — until they eventually wander past an enclosed, terrariumlike indoor garden to the magenta dining room beyond. Nearby, there’s a purple-carpeted, textured-concrete closet, intended only for playing chess, accessible via a secret door."

From "In Mexico City, a Futuristic House With a Secret Chess Room/The architect Fernando Romero has pushed what was once a generic midcentury home as far as it can go" (NYT gift link)(with lots of photos of very unusual rooms).

Seems like the set for a horror movie, but to each his own.

The last remaining column factory in New York City.

A documentary about the American Wood Column Corp, which has preserved traditional wood manufacturing inside what is a beautiful building. 

3 very different places to live.

These 3 architectural idiosyncrasies charmed me today:

"Taking into account the space a building would need to leave from the highway, the water and neighboring properties..."

"... as well as a requirement to position the foundation well above flood level, Schwartz and Architecture outlined the maximum allowable building envelope for a home, which was tiny. But, within that envelope, the architects managed to design a 730-square-foot, single-story cottage elevated on tall posts, with a single bedroom and bathroom...."

I'm reading "Even the Architects Said the Build Would Be Nearly Impossible/An architect and his client overcame a steep site and regulatory hurdles to build a 730-square-foot house that hovers over the water in Sonoma County, Calif." (NYT gift link).

"Throughout the journey, Dr. Tang-Oxley frequently communicated with Mr. Schwartz by writing poems instead of providing more direct feedback.... It was a surreal play of disbelief, surprises and pure delights."

"Aimee Gardner and Dave Linnard were standing in the basement of their newly purchased, 1869 Hudson Valley fixer-upper when they heard a strange tinkling..."

"... like tiny drops of rain. They would soon learn this is the sound a lime mortar stone wall makes as its particles shift — right before it collapses. Seconds later, the entire north wall dropped vertically, some half a foot, with a thundering whoosh and an eruption of dust, leaving the floor above them precariously cantilevered. 'We’re just lucky it didn’t fall sideways,' Ms. Gardner said. It became another thing to add to the punch list as they restore their first home, a project that’s taken, so far, eight and a half years...."

From "When Even the Owners Call it ‘Disaster Mansion’/First-time buyers from the Bay Area won an abandoned house at a Kingston, N.Y. tax auction. Eight years later, they’re still restoring it" (NYT)(gift link, because it's pretty inspiring and actually kind of beautiful).

"The Vances’ henhouse is elevated — about two feet off the ground — and situated inside a shed that is protected from the elements...."

"The design is such that the owner does not have to walk through 'chicken droppings and chicken bedding' to tend to the birds. The keeper can access the hens via interior shed doors. The attached run is predator-proof... and includes a solid roof, which helps prevent avian flu from spreading to the flock, as it can be 'transmitted with migratory birds flying overhead'.... The [henhouse] has led to speculation that there may be political motivations behind the flock’s appearance. It’s a theory that resonates with Danny Bowers, who keeps 19 chickens on a suburban property in Utah County, Utah. Bowers, who uses they/them pronouns, points out that some conservatives have embraced the values espoused by 'trad wife' influencers, many of whom raise chickens."

I'm reading "The Vances added a chicken coop to the vice president’s residence. We had questions. Who will be raising the hens at the Naval Observatory? And why are the Vances taking on this project?" Thats a gift link, in case you want to get serious or laugh about henhousegate.

I love the sheer randomness of the pronoun preference of some guy in Utah who's got nothing to do with any of this other than that he too keeps chickens.

I'm going to assume that the reason for the chickens is to enrich the day-to-day life of the Vance's 3 — soon to be 4 — children.

It is an awfully posh henhouse. I can see why some people are envious... or trying to figure out if they should be envious:

"La la la la."

That's the call from the press as Trump arrives at Versailles Palace. 

Is that how reporters try to get a leader's attention in France? I don't think so. I think they would normally use "Mr. President." So is "La la la la" like shouting "Hey!"? No, I don't think that's the case either. I'm understanding "La la la la" as a more random filler sound. I consulted Grok: "'La la la la' functions more like rhythmic, attention-grabbing noise or an extension of the French interjection "Oh là là!" (often elongated for emphasis)."

"In 1968, Janet Malcolm visited a new showroom for high-end furniture that was, she wrote, among 'the most beautiful and interesting' in New York."

"The venue was designed by Warren Platner, an architect who himself designed furniture; Donald Trump would later acquire a set of his chairs, and sounded gratified when, during an interview in 2010, a reporter from the Times recognized them. Platner’s son, Bronson, went into law, in Maine; his son Graham studied at Hotchkiss, a tony boarding school in Connecticut, though he hated it, skipped classes, and was quickly kicked out. Graham transferred to a different private school closer to home, where he starred in a production of 'My Fair Lady.' He played Henry Higgins, the haughty phonetician who teaches a lower-class flower girl to speak proper...."

Those are the opening lines of an essay by Jon Allsop titled "The Changing Face of 'Authenticity' in Politics/What Graham Platner’s scandal-plagued Senate run says about a tired cliché" (The New Yorker).

Here's how Platner entered the political arena, last summer:

Allsop ponders "authenticity":

"The center’s mixed messaging is incarnated in the Janus-faced facade of the tower whose eccentric cuts and grooves from some angles..."

"... can bring to mind the heroic architecture of Louis Kahn or a Noguchi sculpture. When sunlight after a rain turns the gray stone pink, the building can look like a beacon. But from other angles, it’s cold and forbidding. That’s a jarring vibe for a project whose most groundbreaking ambition is to reimagine the presidential library as a warm, welcoming community hub.... From the street the carved granite words from Selma are illegible, the lettering bunched together like Cheerios in a box. Standing just below it in Jackson Park, the tower looms like a castle keep, its mass and height in tension with the park’s pastoral beauty and origins...."

Writes the NYT architecture critic Michael Kimmelman, in "Obama Center’s Two Sides: A Lovely Park and a Forbidding Tower/In Chicago, the $850 million Obama Presidential Center aims to remake a neighborhood with a 19.3-acre community hub and a brooding 225-foot museum." (NYT).

"What a welcome and much-needed reminder of a President who valued art, beauty, and decency. A glaring contrast to the garish, self-serving chaos of the current one."

Says one commenter at the NYT article "The Audacity of Art at the Obama Presidential Center/Barack and Michelle Obama commissioned 30 artists to create work for their campus, which starts visitor previews next week on the South Side of Chicago."

That's a gift link so you can see the photos of the artwork inside the building, which I think is quite good, and so you can gaze at the "View from the Sky Room" photograph that shows a view from the building, looking out through one of the letters of the text from an Obama speech that you can attempt to read if you stand on the ground and gaze upward at the building.

The view from the Sky Room is garish chaos, but the chaos seems designed to give ordinary citizens a place to play, that is, it's not trying to look good, it's trying to offer what can be used. Included in the play equipment is an N.B.A.-size basketball court and a "sledding hill." We'll see how much freewheeling tomfoolery unfolds in this space. The message is casual playfulness for the people, and it is in distinct contrast to the design ideas Trump has been imposing on the White House and elsewhere. His message is grandeur and elegance.

"Tapestries embroidered with Quranic verses were shipped from the Kaaba in Mecca, Islam’s holiest shrine. Tiles came from a mosque in Uzbekistan."

"A golden metal dome was made to replicate the architecture of ancient Syria. Jeffrey Epstein spent years making connections across the Middle East, in pursuit of business deals and two intertwined hobbies: acquiring rare Islamic artifacts with which to decorate an unusual building on his private island, and expanding his network of wealthy, powerful people...."

From "Epstein Obtained Objects From Islam’s Holiest Site for His Island 'Mosque'/Jeffrey Epstein’s messages cast light on an unusual building on his private island and show how his connections helped him secure tapestries from Mecca for it" (NYT)(gift link).

"His vision for an island shrine began while he was in a Palm Beach County, Fla., jail, having pleaded guilty to soliciting prostitution. Before his release in 2009, Mr. Epstein hired architects to design a 'hammam,' a Turkish bathhouse surrounded by 'Islamic gardening,' according to his correspondence. Mr. Epstein’s records show that in 2013, he sent Mr. Nicola a picture of the Yalbugah Hammam, a 15th-century bathhouse in Aleppo, Syria, with a golden dome, a recessed arch over the door and striped masonry, seeking sketches that would resemble it. Among other tasks, Mr. Epstein asked for a design replacing the Arabic word for God with his initials in English. 'Remember we saw the aribic writing in black and white,' he wrote to Mr. Nicola in an email plagued with his customary typos and misspellings. 'instead of allah, i thought j’s and e ‘s.'"

"On this occasion, I cannot help noticing the readjustments to the East Wing, Mr. President..."

"And I'm sorry to say that we British of course made our own small attempt at real estate redevelopment of the White House in 1814."

It's funny now.

Who will be around in 2213 to joke about the destruction of the World Trade Center?