"It also depicts Charles bitterly arguing with Diana as their divorce looms, and romancing Camilla, now Queen Consort, including a dramatisation of the notorious ‘tampongate’ phone call.
A production source said that media outrage over inaccuracies – and the lack of sensitivity in airing the series so close to the death of the Queen – is ‘spooking’ the broadcaster..... An entire plotline is, to this end, devoted to suggesting that [Prince Philip] pursued a scandalous extra-marital affair with Penelope Knatchbull, the Countess Mountbatten of Burma... Needless to say, there’s no credible evidence that such an exchange took place, or that Philip was anything other than a devoted husband to Her Majesty. Suggesting otherwise, so soon after both of their deaths, is at best distasteful and at worst downright cruel.
Then there are episodes which appear to lend credibility to the barmy conspiracy theory that Princess Diana was murdered.... [Peter Morgan, the show's creator, has said] that Queen Elizabeth II was ‘of limited intelligence'... [and] the Royal Family ‘survival organisms, like a mutating virus,’ [and] the Queen’s belief in Christianity was ‘deranged’ and the monarchy itself is ‘insane.’"
From "Netflix bosses 'are spooked by backlash over The Crown'/Show's creator Peter Morgan is 'increasingly uncomfortable' as producers are slammed over 'malicious' storylines in new series covering royal family's turbulent 1990s" (Daily Mail).
Judging from that article and the comments over there, I'd say people in Britain are disgusted by the prospect of a new season of "The Crown." Here in America, though, we love it. We understand fictionalization, and too bad if the people depicted are still alive. If they're rich enough, powerful enough, or evil enough, we're fine with using them in whatever interesting stories filmmakers want to spin out.
We've seen movies about Dick Cheney and Mark Zuckerberg, for example. We watch these things and maybe discuss the truth/fiction ratio on the side if that's also entertaining. And quite aside from the art of film, the news itself is also something with a variable truth/fiction ratio. We've oriented ourselves to that mystery of human communication.
Freedom of speech breathes a murky atmosphere.