Mickey Rourke doesn't want your charity.

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Background: "Mickey Rourke Declines $100,000 in Donations After His Eviction/Rourke’s landlord said in court documents that the actor owed nearly $60,000 in rent. Rourke said he had opted not to pay rent after the home became uninhabitable" (NYT).

"If the bunny from Donnie Darko turned into a snap dragon and opened up to reveal Mickey Rourke’s face..."

It's "Immortals," the new Tarsem Singh movie, about Theseus.

I'm very resistant to seeing movies these days, but the director's previous movie, "The Fall" was my favorite movie of 2008, a year in which I saw 17 movies. (Here's my last-night-of-2008 post that contains my official ranking.)

I truly appreciate Singh's avoidance of CGI (in movies that would seem to require CGI). I hate CGI. Viscerally.

"Mickey, Mickey, no./Your lunacy can charm, yes./But you need a shirt."

I don't know. I find him adorable in his fugliness.

Mickey Rourke, fashion icon.

I love it.

Meryl not Kate. Sean not Mickey.

Surprises in the top acting categories for the Screen Actors Guild Awards tonight.

I loved the way Meryl was all breathless and surprised. "I didn't even buy a dress." And, she assured us, there really is no such thing as the greatest living actress. But, deep down, didn't she know that she is that woman?

The Oscar nominations.

Here.

Observations:

1. Kate Winslet's performance in "The Reader" is classified as a "leading role," and it is her only nomination. She won Golden Globes for "leading" in "Revolutionary Road" and for "supporting" in "The Reader." The Academy is not buying that, and I'd say rightly so. It's a leading role in "The Reader," and I'm tired of big stars getting their roles categorized as supporting to horn in on the lesser actors with smaller parts.

2. "Revolutionary Road" generally seems snubbed. Leonardo DiCaprio didn't get a nomination. (Though Michael Shannon got a supporting nomination.) And there is no Best Picture or Director nomination.

3. I've seen 4 of the Best Picture nominees: "The Curious Case of Benjamin Button," "Milk," "The Reader," and "Slumdog Millionaire." I haven't seen "Frost/Nixon," and frankly, I don't want to. I can see in the trailer the way Nixon's own words have been edited and ham-acted into something they were not. I'd give the Oscar to "Slumdog Millionaire." "Milk" would be fine too.

4. Richard Jenkins in "The Visitor"? I know nothing about that one. I guess he must have been good. I'll try to check it out before saying I think Sean Penn or Mickey Rourke should win Best Actor. I think Rourke will win because he suffered so much making that movie.

5. Melissa Leo in "Frozen River"? Again, I know nothing about that one. And I haven't seen Angelina Jolie in "The Changeling." (Oddly, I've never seen Angelina Jolie in anything! I guess I just done share her taste in films.) I guess the plan is to give Best Actress to Kate Winslet. Wonder if there will be a backlash.

6. I've seen all the Supporting Actress films. Personally, I love Penélope Cruz. What an amusing performance!

7. I've seen 3 of the Supporting Actor films. I love Robert Downey Jr., but I haven't seen "Tropic Thunder." (I will.) I saw "Iron Man." And I haven't seen "Revolutionary Road" yet, because it hasn't hit town. I've seen "Milk," "Doubt," and "The Dark Knight," and if it were between those 3, I'd pick Josh Brolin in "Milk." That was one of the most effective performances I've ever seen. And I went into the film not knowing he'd been singled out as especially good, so, for me, he came out of nowhere and killed.

8. I see both Angelina Jolie and Brad Pitt got nominated. Congratulations to the happy couple. Life's not fair, but they seem to be decent people making good decisions. No need to hate them.

"So lower your expectations, and enjoy the Rourke."

Adam Bonin thinks "The Wrestler" is "a thuddingly obvious melodrama," but he's recommending it anyway.

10 thoughts about "The Wrestler."

1. To be fair to Marisa Tomei, it should have been titled "Meat." But "The Wrestler" is apt, because Mickey Rourke's role, as a wrestler, is much larger. But the 2 actors have equivalent parts, as human meat, making a life out of a crude display of the body. And when Rourke's character, Randy the Ram Robinson, retires from wrestling, he works at a deli counter, making up orders of sliced meat, and there is, at one point, a literal depiction of the man as meat — which I won't spoil. (Don't you hate spoiled meat?)

2. We see a lot of Marisa Tomei's naked body. It's right in our face, lap-dance style. Unlike Kate Winslet, who is always getting naked for the movie cameras, Marisa Tomei has already won an Oscar. And she is not bathed in the kind of cinematic romantic light that makes us think — as we always think when we get to gawk Kate — how beautiful and how brave. You have to struggle — crawl across the floor — to get to a feeling of respect for the actress who submitted to this script. Like the sex dancer she portrays, you think does this woman need the money so desperately?

3. Tomei and Rourke display formidable bodies topped with aging, messed up faces. In one scene, Tomei — off from work — shows up with no makeup at all. Tomei is 45 and — in her face — she looks it. Randy tells her she looks clean. She didn't look that clean, but practically nothing is clean in this movie. It's an entire world of ramshackle filth.

4. Tomei is required to utter some of the most awkward lines I have ever heard in a movie. While giving Mickey Rourke a lap dance, she has to spontaneously utter some quotes from the movie "The Passion of the Christ" and then explain that she was quoting something from the movie "The Passion of the Christ." You get the point, early on, that Randy the Ram should be understood as a Christ figure and that the narrative should be seen as The Passion. Now, you may rightly wonder why. Movies often cue us to understand a character as a Christ figure, but what is The Ram suffering for?

5. Randy the Ram. Get it? Christ is the Lamb. And The Wrestler is the Ram. O, ram of God, who... who what? Redeems us of our last shred of dignity?

6. The Ram is scourged like mad. I haven't seen "The Passion of the Christ," so I can't tell you how close the various shots in that movie might be to the shots in Mel Gibson's magnum opus. But that cut to the forehead — crown of thorns, right? — even if it is self-inflicted. Getting staple-gunned all over his body? You just know that if the Romans had had staple guns, they would have staple-gunned Christ all over his body. (If that had happened, the staple would now be a holy symbol. Link to the script for "Lenny," wherein Lenny Bruce says "Good thing we nailed him when we did, because if we had done it within the last years, we'd have to contend with generations of parochial schoolkids with little electric chairs hanging around their necks." And here's the corresponding Bizarro cartoon.)

7. I've been noting a Hollywood trend of delivering pedophiliac titillation with artistic prettification. But "The Wrestler" does not fit the trend. The sex in the movie is completely adult — and it's also grubby and ugly. There are children in the movie too, though, and Randy the Ram actually plays with them. He wants to retain his self-esteem as a wrestling hero, so he play wrestles with them, gives one an action figure of himself, and lures another one into his shabby trailer to play an old Ninetendo game (in which he is a character). In real life, people seeing that evidence would suspect the man is a pedophile, but in the movie, he is absolutely not.

8. This movie belongs on a list titled "Movies With Scenes in a Supermarket Aisle." (I'd love some help compiling this list — and also a sub-list "Movies With Scenes in a Supermarket Cereal Aisle.")

9. Of all the things that made me voice the syllable best transliterated as "ugh" — one of them was egg salad.

10. I know people want me to say, when I do one of these lists, whether I am recommending the movie.

ADDED: Re #9:



AND: Mickey Rourke talks about making the movie: Part 1, Part 2.

UPDATE: This post memorializes my first date with Meade, on January 17, 2009.

The balls, the finger, the dogs — let's talk about Mickey Rourke.

ADDED: Let me transcribe the part about the dogs: "I'd like to thank all my dogs — the ones that are here and the ones that aren't here anymore — because sometimes when a man's alone, that's all you got is your dog, and they meant the world to me."

That time Bob Dylan called Mickey Rourke.

"I've known him several years and we talk on the phone. Well, he's not big talking on the phone. Not big talking, period. I had a little part in some arty farty movie we did. He called me in the middle of the night and I'd say, 'Who's this?' And he'd say, 'Bob.' And I'd say, 'Bob who?' And he said, 'You know... Bob.' Oh f**k. Bob Dylan. He would ask me what he should be doing in a scene when he had no dialogue, and I would say, 'Why not do some activity?' I'd give him some little acting points, and we became friends."

"Look seans an old friend of mine and i didnt buy his performance at all..."

“... thought he did an average pretend acting like he was gay besides hes one of the most homophobic people i kno"

Mickey Rourke, lusting for the Oscar, texts about Sean Penn.

ADDED: You know, if I wanted to argue that the movie "Milk" is homophobic, I could think of a good 6 points.