I'm just going to show you Janelle Monáe — my choice for the best:

There was a theme, you have to understand. The theme was the old Susan Sontag essay "Notes on Camp" — which you can read in full here. Or here's the explanation in the NYT:
In 1964, Susan Sontag defined camp as an aesthetic “sensibility” that is plain to see but hard for most of us to explain: an intentional over-the-top-ness, a slightly (or extremely) “off” quality, bad taste as a vehicle for good art.The NYT goes on to discuss whether various present-day things are camp. The most interesting part of this is the question whether President Trump is camp. The answer (the NYT answer, written by its fashion writer Vanessa Friedman):
“Notes on ‘Camp,’” her 58-point ur-listicle, builds on that inherent sense of something being “too much,” and also fences it in. Camp is artificial, passionate, serious, Sontag writes. Camp is Art Nouveau objects, Greta Garbo, Warner Brothers musicals and Mae West. It is not premeditated — except when it is extremely premeditated....
