Isaac Mizrahi লেবেলটি সহ পোস্টগুলি দেখানো হচ্ছে৷ সকল পোস্ট দেখান
Isaac Mizrahi লেবেলটি সহ পোস্টগুলি দেখানো হচ্ছে৷ সকল পোস্ট দেখান

২২ নভেম্বর, ২০১৫

This is not just some oddity from Ottawa: Yoga really is a cultural appropriation problem.

Here's a story from Canada. At the University of Ottawa, the Centre for Students with Disabilities has decided to end its program of free yoga classes, because "there are cultural issues of implication involved in the practice."
"Yoga has been under a lot of controversy lately due to how it is being practiced," and which cultures those practices "are being taken from." The centre official argues since many of those cultures "have experienced oppression, cultural genocide and diasporas due to colonialism and western supremacy ... we need to be mindful of this and how we express ourselves while practising yoga."
The Centre's prose is abstruse. The Ottawa Sun, reporting the controversy, offers some plainer English:
The concept of cultural appropriation is normally applied when a dominant culture borrows symbols of a marginalized culture for dubious reasons -- such as the fad of hipsters donning indigenous headdresses as a fashion statement, without any regard to cultural significance or stereotype.
Hipsters are donning headdresses? I hadn't noticed that, but fashion does typically grab and decontextualize ideas from other cultures. Have you ever seen the documentary "Unzipped," about the designer Isaac Mizrahi? Here's the scene where he's sitting in bed watching "Nanook of the North" and sketching ideas that end up in his next runway show. He's saying: "These Eskimos are inspiring. I can't even believe how beautiful these Eskimos are. And I love it. All the fur pants.... There's something very charming about a big, fat fur pant."

Now, what's wrong with the way Canadians and Americans have appropriated yoga, stripping it of its Indian religious context, taking just the amount of deeper meaning that's comfortable to the spiritual-but-not-religious crowd who feel the need to stretch their bodies a lot and their minds not too much?

The yoga teacher who was ousted in Ottawa says:
"People are just looking for a reason to be offended by anything they can find. There's a real divide between reasonable people and those people just looking to jump on a bandwagon. And unfortunately, it ends up with good people getting punished for doing good things."
The acting student federation president Romeo Ahimakin said the idea was not a permanent ban but a rethinking of the school's use of yoga "to make it better, more accessible and more inclusive to certain groups of people that feel left out in yoga-like spaces":
"We are trying to have those sessions done in a way in which students are aware of where the spiritual and cultural aspects come from, so that these sessions are done in a respectful manner."
That strikes me as a moderate approach, not a ban, but a call for deeper reflection about something that is, in its origin, deep and that has been made shallow for the purposes of consumption by health-minded young people in stretch pants. A university should be a place of learning and a search for greater understanding. There is something wrong with presenting yoga as fun, lightweight, stress relief.

The yoga instructor, whose name is Jennifer Scharf, wanted to just relabel the class "mindful stretching," which, she said, would "literally change nothing." Well, literally, it would change something, the name. And if we are going to be "mindful," we might want to wonder what our mind is full of. Is it not some anodyne pastiche of Indian religion?

Scharf says: "I'm not pretending to be some enlightened yogi master, and the point (of the program) isn't to educate people on the finer points of the ancient yogi scripture." But that's what appropriation is. You're taking the parts that you like, that feel good to you, that are useful for your purposes, and leaving behind everything that's deep or uncomfortable or uninteresting to you. It's religion drained of religion.

It's fine to concoct your own spirituality using ingredients you've culled from existing religions, but if you're going to practice it in classes at a public university, you should be honest and reflective about what you are doing. And if the religion you're using for your source material comes from a culture that is foreign to you, you ought to spend some time on the stretching exercise of contemplating how what you are doing feels to those who belong to that culture.

১৪ ফেব্রুয়ারি, ২০০৪

I started watching The Apprentice again. I couldn't help it, kind of, because it was on the TiVo and I kept hearing how good the new episode was. Plus, Isaac Mizrahi was on. I love him. It was pretty hilarious when Jessie was talking to him like he was in kindergarten and especially that she wouldn't stop even after he joked that she was talking to him as if he didn't quite speak English (maybe she assumed that as a fashion designer, he must be European). She didn't even stop when he switched from laughing at her to scowling at her. He's such a thoroughly good-natured, affectionate person--watch his regular show and see!--that if he's reduced to scowling, it's got to be really bad.

So Jessie deserved to leave, based on the competition. What is interesting about the show is that your final performance in the boardroom counts as a separate competition, but the players don't seem to have caught on to that yet. They seem to be trying to preserve relationships for the next stage of the competition. Thus, Jessie went noncompetitive right when she had a chance to cause Omarosa to lose, because Omarosa slipped up at that stage. It was certainly better TV to fire Jessie and keep Omarosa around. The last shreds of comedy had already been wrung out of Jessie, but Omarosa has so much more to give.

Why couldn't Omarosa get Isaac Mizrahi's name straight? She kept calling him Isaac Mizarahi. I'm thinking the word "misery" got lodged in her head when she heard "Mizrahi," because she also refered to the Elizabeth Glazer Fund (the charity they were raising money for) as the Elizabeth Glacier Fund.

Prof. Yin is discussing the new episode too. He admits to not being the target audience for the celebrities in question: Russell Simmons is "some hip hop guy" to him. I'll admit to never having heard of Tiki Barber or "Third Watch." I don't care about hip hop stars, myself, except that I enjoy seeing various houses of the stars on "MTV Cribs"--and Russell Simmons was very appealing showing his house, which has a meditation room, on "Cribs."

Anyway, The Apprentice is amazingly well photographed and edited. It is almost worth watching solely for the views of New York City. Add the characters and their cross-sniping, and it really does demand to be watched.