Isaac Hayes has died.

RIP.

Who's the black private dick
That's a sex machine to all the chicks?
(Shaft!)
You're damn right

Bio.

We all loved him as Chef on "South Park." Here are tons of Chef clips.



Sad!

ADDED: Here's the old post about Hayes quitting "South Park" because it disrespected Scientology.

AND: The "Shaft" music in its original context, the opening sequence of the movie:



MORE: From the WaPo obit:

In the early 1970s, Hayes laid the groundwork for disco, for what became known as urban-contemporary music and for romantic crooners like Barry White. And he was rapping before there was rap....

"Hot Buttered Soul" was groundbreaking in several ways: He sang in a "cool" style unlike the usual histrionics of big-time soul singers. He prefaced the song with "raps," and the numbers ran longer than three minutes with lush arrangements.

"Jocks would play it at night," Hayes recalled in a 1999 Associated Press interview. "They could go to the bathroom, they could get a sandwich, or whatever."

I love that quote. Jocks would play it at night. They could go to the bathroom, they could get a sandwich, or whatever.

"South Park" -- "The Return of Chef!"

So?

That ended awfully abruptly! Were you satisfied? Isaac Hayes is, I think, honored, and the hatred is directed at the organization that took him away from us, the "Super Adventure Club." The grisly near-death scene was finely detailed, and the final "salty balls" punchline well-placed. The strip club interlude was genuinely poignant, as the kids beg poor Chef to remember his real self.

Taking the broader view, answer the question: Is religion a super adventure club?

UPDATE: Here's the AP description of the episode, quoting key lines:

''A lot of us don't agree with the choices the Chef has made in the last few days,'' one of the children eulogizes him at a funeral. ''Some of us feel hurt and confused that he seemed to turn his back on us. But we can't let the events of the past few weeks take away the memories of how Chef made us smile.

''We shouldn't be mad at Chef for leaving us,'' the eulogy concludes. ''We should be mad at that fruity little club for scrambling his brains.''

Scientology was not named. Standing in for it was "that fruity little club," the "Super Adventure Club," which is all about child molestation. Chef's membership in the club was revealed in scenes that use spliced-together dialogue from past episodes that were voiced by Isaac Hayes.

"The Return of Chef!"

That's the title of the new "South Park" episode, which will air on Wednesday. But Isaac Hayes, the voice of Chef, has quit the show. So what do you think they'll do?

The network statement announcing Chef's return for the "South Park" season premiere this Wednesday was a clear sign that Parker and Stone planned to use the Hayes imbroglio as further grist for their comedy.

"Knowing these guys as I do, I can't imagine that they're not going to do just that," Comedy Central spokesman Tony Fox told Reuters. He added that the producers routinely "turn around" new episodes in just six days, leaving them ample time to incorporate last week's dust-up into their season debut.

Fox said he assumed someone besides Hayes would supply Chef's voice. Details of the new episode were vague.

But a network synopsis said the fictional town of South Park, Colorado, is "jolted out of a case of the doldrums when Chef suddenly reappears," leading to new antics by the group of foul-mouthed fourth graders who are the show's stars.

"While Stan, Kyle, Kenny and Cartman are thrilled to have their old friend back, they notice that something about Chef seems different. When Chef's strange behavior starts getting him in trouble, the boys pull out all the stops to save him."

We'll all be watching!

MORE: Here.

Audible Althouse #41.

Here it is. The theme: food and sex...

Sleep-eating, allegedly Ambien-induced...

The dark sexual themes of "Oklahoma!" and the man who was eating potato chips while we were trying to watch "Oklahoma!"...

The way people don't know how to cook anymore, even though they like to watch TV shows like "Top Chef"...

The fact that the voice of Chef on "South Park," Isaac Hayes, has quit the show, complaining about disrespect to Scientology...

The new HBO TV show "Big Love," which is about polygamy, and the way it's led some commentators to say that accepting gay marriage will require us to accept polygamy.

(Please subscribe, but if you don't know what that's all about, or you don't have an iPod, just live stream it here.)

"Temporarily anozinizing our episode will NOT stop us from keeping Thetans forever trapped in your pitiful man-bodies."

Such is the statement to Daily Variety, signed "Trey Parker and Matt Stone, servants of the dark lord Xenu," addressing the mysterious substitution of an old episode of "South Park" for the scheduled "Trapped in the Closet" episode (the one that shreds Scientology):

"So, Scientology, you may have won THIS battle, but the million-year war for earth has just begun! Temporarily anozinizing our episode will NOT stop us from keeping Thetans forever trapped in your pitiful man-bodies. Curses and drat! You have obstructed us for now, but your feeble bid to save humanity will fail! Hail Xenu!!!"

Variety reports the rumor that Comedy Central was catering to Tom Cruise, who threatened not to promote "Mission: Impossible 3," Paramount's big summer movie. Paramount and Comedy Central have the same parent company, Viacom.

Andrew Sullivan is urging readers to email Viacom at press@viacom.com and demand that they show the episode.

Comedy Central has already yanked one South Park episode, under pressure from the Catholic League. Now they're caving in to the Scientologists. Can you see them allowing another South Park episode which includes Muhammad? South Park has portrayed Muhammad before, but that was before the Islamist bullies took to the streets. You think Viacom cares about freedom of expression?

Sullivan recommends "Support Freedom of Speech" as the title of your message, so you should do that, if the spirit moves you.

Comedy Central's official excuse, by the way, is that they wanted to show "Chef's Salty Balls" as a tribute to Isaac Hayes, who just quit the show because of the way it mocked Scientology. We were just talking about Hayes's quitting, and, in the comments to that post, the subject of the episode swap comes up, and I offer the explanation that they were paying tribute to Hayes. I note that "Chef's Salty Balls" really is a prime Hayes episode, and it has the added timeliness of making fun of artsy movies about gay cowboys (eating pudding). Hey, is Comedy Central reading my blog in search of feeble excuses?

Isaac Hayes quits "South Park."

He's upset about they way it disrespects religion. His religion? Scientology.

"There is a place in this world for satire, but there is a time when satire ends and intolerance and bigotry towards religious beliefs of others begins."

The response from Matt Stone:

"This is 100 percent having to do with his faith of Scientology... He has no problem — and he's cashed plenty of checks — with our show making fun of Christians."...

Stone told The AP he and co-creator Trey Parker "never heard a peep out of Isaac in any way until we did Scientology. He wants a different standard for religions other than his own, and to me, that is where intolerance and bigotry begin."

Well, Stone got the better of that exchange! Who has a better ear for hypocrisy than Stone?

Link via Memeorandum, so let's see who else is talking about the Hayes-Stone face-off. (Invocation of John Travolta unintended!)

Captain Ed: "It seems that Chef can't take what he dishes out."

Patterico: "Look to see Chef die a particularly bloody, horrible, and painful death."

Does Chef have to go? I don't think he's been an important character in recent years, but since Stone and Parker have been blithely doing so many voices, why not do his too? In fact, why weren't they doing that voice themselves all along? Here's Stone's answer, from a transcript of "Fresh Air" (date: 10/24/04, no link available):

[A]ctually with Chef--Trey and I were doing all the voices, and we actually--me or Trey wanted to do that voice. We were going to be like, 'Hey, what's going on, children?' and just kind of do that voice ourselves. And we were going to pitch it down, so it was really, really low, like an older black man's voice, how they can just be really, really low. And we wanted to do it ourselves. At the time Comedy Central was like, 'You can't do that.' And it's kind of true in a lot of Disney cartoons and a lot of other cartoons, they won't let their gender--Their gender?--race specific with the voiceover; they won't allow a white person to do a black person's voiceover. They probably don't care the other way. But at the time they were like, 'You know, you need to have a black person do this.' And we were like, `Well, you know, we have this character who sings all these soul songs.' I was like, 'Why don't we get ...(unintelligible)?'

So we had a really short list. It was--Isaac Hayes was our first choice. Then I think we had Lou Rawls on there. And what's the other guy? Barry White. And so we sent out tapes to them to them. I don't think we ever heard from Lou Rawls. Barry White respectfully declined because he's a very Christian man, and he thought it didn't reach his standards. We sent out 'The Spirit of Christmas.' And Isaac Hayes called back and said, 'Sure, I'll do it.'

So Trey and I flew to New York to record Isaac Hayes. We were so freaked out. You know, we'd never even worked with anybody except for our own friends in Colorado, and here we are doing Isaac Hayes. So then Isaac Hayes--he shows up, and he has no idea what he's going to do. So now we're sitting in the studio. He goes, 'All right, what's going on?' And his agent had basically just said, 'Yeah, you know, he's into it. He wants to do it.' But Isaac really was, like, just going to a gig to do a voiceover. And so we had to sit there and explain to him, 'Well, you're this big, fat black guy that lives in this little town in Colorado. You're the only black person there, and you sing soul songs.' And he was, like, 'OK. That sounds good.' So we were, like, 'All right.'

Think "Comedy Central" would let them do the voice now? Think Stone and Parker will have some more fun with Scientology over this? I hope so!

By the way, the episode that mocked Scientology was "Trapped in the Closet," and it was quite brilliant and hilarious. The press paid most of its attention to the material about Tom Cruise being "in the closet" (which he was, literally). I wrote at the time:

[CNN has a] segment on the new episode of "South Park" that mocked Scientology and Tom Cruise. CNN jumbles a lot of things together and titles the segment "Did 'South Park' go too far in mocking Tom Cruise?" Why not ask whether "South Park" went to far in mocking Scientology? That was what most of the episode was about.

Not shown in the CNN clip is the show's hilarious animated depiction of the deep secrets of Scientology. Instead, CNN reruns rumors about Cruise's sexual orientation, replete with the usual clip of him jumping on Oprah's couch. It's true the "South Park" episode repeatedly used the phrase "Tom Cruise come out of the closet." (Cruise literally hides in a closet for a reason that has nothing to do with his sexual orientation.) CNN shows many of those repetitions and informs us that they counted 39 of them. It's very funny.

But religion is the real target of "South Park's" mockery, and CNN opted for the easy approach of tweaking Cruise one more time about the rumors. In a lame attempt to appear journalistic, CNN presented the rumors as a report on how other people are spreading rumors. (Isn't that usually how one spreads rumors?) Can you picture CNN actually going after Scientology the way "South Park" did?

Thank God somebody's willing to mock religion!

So what have you been watching on TV lately?

You may have noticed I haven't been saying much about television lately. American Idol ended, and Joe Schmo was too tedious to watch. (After they decided to tone things down to cool the suspicions of one of their dupes, what was the point? The dupes believe they are on a reality show, so what's funny if the actors are acting like regular contestants on a reality show--other than that, because it's on Spike TV, the games are more sexual?) I've even stopped watching The Daily Show, and I'd been a devotée ever since Jon Stewart took over, before the 2000 election. (I just got tired of him laughing at everything that seemed to be going badly in Iraq, acting like Bush is inherently a joke, and not bothering to disguise his hostility toward guests that attempt to take the other side--especially, recently, Stephen Hayes of The Weekly Standard). And Dennis Miller is irking me from the other direction. (Cheering over the video of L.A. police beating a man who had obviously surrendered was just disgusting.)

So what am I watching? I'm keeping up with the new season of "Six Feet Under." I think George is sending the boxes of excrement to himself. It's clearly not Arthur, who, as Television Without Pity notes, was off buying a suit when the new package of poo arrived. I think it's George because he has had the motive and opportunity. Also, he completely underreacts when a package of crap is opened a couple feet away from him. "Six Feet Under" has its longueurs. I don't find anything interesting in the relationship between David and Keith. Both characters are incredibly bland. I can't help liking Lauren Ambrose: did you see her when she was on the Isaac Mizrahi Show and sang "God Bless the Child"? It was unbelievably good. I like the Arthur character. And I like Rachel Griffiths. The Ruth character--I don't know, how many times can an older woman break out of her repression? After the second or third time, it ought to be ridiculous. But Frances Conroy is so good, the plot line can survive a few extra recyclings.

For some reason, I've been soaking up an excess of dead body material. In addition to "Six Feet Under," I've been watching the HBO "Autopsy" series (on HBO on demand). And the other day, we needed to agree on a movie, and we decided on the old 80s movie "River's Edge," which has a lot to do with a dead body lying on a river bank. "River's Edge" was a big deal in its time: it showed how American society was on the verge of collapse because all humanity had drained out of everyone (except perhaps one drop remaining in Keanu Reeves). But here it is 16 years later, so its predictive value is gone. (Yay! We didn't go straight to hell!) We were saying things like "This movie hates poor people" and "This movie hates young people" and "When are they going to stop just driving around?" and "Where the hell are they supposed to be going now?" and "Is this thing ever going to end?" But you should see the unique performance of Crispin Glover in his prime. And it's the perfect choice if you want to wallow in 80s-style sordidness. The sets are perfect expressions of woeful misery. And there are some memorable lines, like: "I quit being a mother. It's just not worth it!"

Last night I watched the movie I couldn't get agreement on the other night, "Russian Ark." Here the question becomes not "When are they going to stop just driving around?" but "When are they going to stop just floating around?" The film is largely a technical stunt, a single shot 90 minutes long, floating through the rooms and halls of The Hermitage in St. Petersburg. We see a lot of art and costumery and try to absorb various references to Russian history. Is it arty enough? Could it be more arty? The word arty was invented for this sort of thing. My favorite movie is "My Dinner With André," which is testament to the fact that I don't need a story or any action, but I found it impossible to stave off boredom. Yes, there are some beautiful images, and the technical achievement can be marvelled at (how all the thousands of actors hit their marks and two orchestras played their pieces flawlessley--or at least appeared to), but my advice is to save this for a time when you want a purely dreamy experience. The term "moving picture" is unusually apt.