"He writes graphically of his own deflowering; how he passes on the favor to his friend Carrie Fisher; of the almost-hand job he gets..."

"... in the back seat from someone’s wife when hitchhiking, as everyone used to do before the Manson murders; how Tennessee Williams grabs his testicles when he’s waiting tables at a dinner party — for better and worse, people always seem to be making a run at Griffin’s crotch — and Martin Scorsese’s wrath when he violates an order of celibacy during the filming of 'After Hours' (1985).... Much of [this memoir] is a privileged young man’s search for a place in the showbiz court to which he was born.... dropping Timothy Leary’s finest acid. Sean Connery, then playing James Bond, saved him from drowning! Bob Denver from 'Gilligan’s Island' had a temper!"

Writes Alexandra Jacobs, in "Growing Up With Joan Didion and Dominick Dunne, in the Land of Make-Believe/In his memoir 'The Friday Afternoon Club,' the Hollywood hyphenate Griffin Dunne, best known for his role in Martin Scorsese’s 'After Hours,' recounts his privileged upbringing" (NYT).

Here's the book, "The Friday Afternoon Club: A Family Memoir" (commission earned).

"On set, Scorsese made one big stipulation. He ordered Dunne not to have sex for the duration of the shoot."

"I am gobsmacked by this, but the actor was unfazed. 'It made perfect sense to me,' he says. 'I knew what he meant. The character had to be boiling over with this unfulfilled anxiety. You had to see …' He pauses. 'Not to be crude, but you had to see the semen build up to where it’s practically coming out of his eyes.' One Saturday night, though, Dunne cracked and broke the rule. The next day of filming, Scorsese spotted the change and went berserk. 'You’ve fucked up the whole picture,' he shouted. 'I don’t think I can finish it now.' Dunne says that he was probably being directed here, too. 'Because now I’m afraid. I’m terrified. And it turns out that a certain level of fear is the same as not having sex. So [Scorsese’s] second piece of direction is telling me that I’ve ruined his movie. That’s excellent direction. It brought all the old anxiety back.'"

From "I’ll never forgive or forget’ – Griffin Dunne on the darkness that overtook his gilded Hollywood upbringing/Griffin Dunne’s memoir is full of wonderful tales about Martin Scorsese, Carrie Fisher and Madonna. But the killing in 1982 of his 22-year-old sister – and the subsequent trial – overshadows everything" (The Guardian).

If a male director did that to a female....

Anyway... the Scorsese movie in question is "After Hours":

Geoffrey Dunn Slams Sarah Palin in Racially Charged Article at Huffington Post.

Did that catch your eye? Maybe not, since the name Geoffrey Dunn probably doesn't mean much to you,* but the title of his article caught mine: "Sarah Palin Slams Michelle Obama in Racially Charged Passage From New Book." Oh? Did Sarah Palin — and her editors — lose their minds and wield anti-black epithets and stereotypes against the First Lady? No, of course not. Here's what Dunn wrote:

In passages leaked from her forthcoming book America by Heart, Sarah Palin... has taken another cheap shot at First Lady Michelle Obama.

That link goes to another HuffPo post by Dunn claiming it was a "cheap shot" for Palin to refer to "people" saying "they've never been proud of America." Back to the new Dunn item:

In a passage on perceptions of racial inequality in the United States, Palin slams President Barack Obama, who, she asserts, "seems to believe" that "America -- at least America as it currently exists -- is a fundamentally unjust and unequal country."

And then she goes after Michelle Obama:

Certainly his wife expressed this view when she said during the 2008 campaign that she had never felt proud of her country until her husband started winning elections. In retrospect, I guess this shouldn't surprise us, since both of them spent almost two decades in the pews of the Reverend Jeremiah Wright's church listening to his rants against America and white people.

That's it?! Palin had the audacity to remind us about Jeremiah Wright's highly racial tirades? She doesn't even call Wright racist! She refers to the statements he made "against... white people." That's an astoundingly tame reference to the outrageously inflammatory sermons by Wright that surfaced during the 2008 campaign and amazingly didn't sink the Obama candidacy. Watch the video at that link. Wright is yelling at the congregation to reject Hillary Clinton because she's white.

Shamefully lame, Mr. Dunn. Even as an effort to prop up President Obama, it's lame. Do you think it benefits him for us to go back to Jeremiah Wright?

__________
* Don't you know Geoffrey Dunn is an "[a]ward-winning journalist, filmmaker and historian"? That's what it says at the post.  According to his bio:

Dunn has produced and directed more than a dozen award-winning documentary films, including Dollar a Day, 10¢ a Dance: A Historic Portrait of Filipino Farm Workers in America; Miss…or Myth?; and the recently completed Calypso Dreams.

Oh, that Geoffrey Dunn. Not to be confused with Griffin Dunne (who was so cool in "After Hours") or the Geoffrey Dunn who was born in 1903 and played the part of Mr. Lunnis in "The Leather Boys."

Grammar conversation with references to Elvis, Bill Clinton, "After Hours," George Harrison (and Taylor Hicks).

So here's my email to John (referring to a comment in this thread):

Here's a sentence I just wrote: "The reason Taylor reminds you of Clinton and the reason it was especially noticeable last night is because both men are echoing Elvis."

Should "is" be "are"? I think it would sound ridiculous, but rule-based thinking would say yes.

John -- my son, John Althouse Cohen -- responds:

I think it can only be "is," even if you're using "rule-based thinking." "Are" would just be comical. It would remind me of the scene in "After Hours" where Griffin Dunne says:

So I march right in there to apologize, but she'd already killed herself. I was too late. He was about to give me the money, when all of a sudden, his phone rang. His girlfriend killed herself tonight. Is that a coincidence? No, because the same girl who I came downtown to see was dead, too. That's because they're the same person. They're both dead.

The point is: He was joking by using the plural and saying, "They're both dead." You can't use "both" in reference to one person. And in your sentence, there's only one reason; it just serves two functions.

Here's another analogy: "George Harrison was the guitarist and singer in 'Here Comes the Sun.'" By inverting that, you automatically get, "The guitarist and singer in 'Here Comes the Sun' was George Harrison." It would be absurd to use "were" instead of "was" in either of those sentences. It doesn't matter whether "George Harrison" comes first in the sentence; the grammar is still the same. "...are George Harrison" is just as ungrammatical as "George Harrison are..."

Incidentally, you should change "because" to "that." Look up "the reason is because" in any usage book.

The ice of my "rule-based thinking" is slowly melting.