"This stated that there seems to be a correlation between the standard of writing about a particular sport and the ball it utilizes -- that the smaller the ball, the more formidable the literature. There are superb books about golf, very good books about baseball, not many good books about football or soccer, very few good books about basketball and no good books at all about beach balls...."
Wrote George Plimpton — in 1992 — in "The Smaller the Ball, the Better the Book: A Game Theory of Literature" (NYT). I'm reading that not because this weekend is The Masters, but because I stumbled across a 1996 piece "Bad Sports," by Michiko Kakutani (NYT), about the "hippie psychobabble" that had taken over golf writing:
Consider the ur-text of New Age golf writing, ''Golf in the Kingdom'' (1972), by Michael Murphy, a founder of Esalen. In the course of the book, the reader is introduced to a guru-like golf teacher named Shivas Irons, who spouts aphorisms like ''let the nothingness into yer shots,'' and is pelted with a boggling array of metaphors: golf as ''the new yoga of the supermind,'' golf as a recapitulation of evolution and golf as a Rorschach test of character....
Two recent novels -- ''The Legend of Bagger Vance,'' by Steven Pressfield, and ''Follow the Wind,'' by Bo Links -- give us Shivas wannabes, who tell their disciples to find their ''troo self.''... Perhaps sappiest of all is Jeff Wallach's ''Beyond the Fairway,'' a series of essays that purports to be a golf version of ''Zen in the Art of Archery'' when in fact it's closer to one of those business manuals that try to adapt the principles of Sun Tzu's classic ''Art of War'' to corporate back-stabbing....
I'm reading Kakutani's old essay because I was looking up "The Art of War" in the NYT. And I wasn't doing that out of any sort of thought that the Russians are botching the art of war in Ukraine, but because I wanted to do a post in honor of the 50th anniversary (tomorrow) of the discovery of the Yinqueshan Han Tombs, which contained "a nearly complete Western Han Dynasty (206 BC - 220 AD) copy of The Art of War, known as the Yinqueshan Han Slips, which is almost completely identical to modern editions."
Back to Kakutani (whose name is misspelled in the NYT scan of her ancient article):
Zen golf, [Wallach] writes, is ''a way of transporting yourself to a new dimension, gaining access to new perspectives, and maybe racking up a few birdies along the way.'' The problem with such passages isn't just the bad writing (which pretty much negates George Plimpton's famous ''Small Ball Theory'' that the smaller the ball the better the writing), the sanctimoniousness or even its startling trivialization of Zen. The problem is that such writing takes sport out of the lovely pure realm of the physical, where talent and strength and discipline are measured in unforgiving inches and lifetime stats, and plunges it into the warm recovery movement realm of subjectivity and self-esteem.
Little did Kakutani know, the very year she wrote, 1996, a new phenomenon would take over golf. Tiger Woods went professional that year, and just about ever since, the main thing about golf has been how is Tiger doing? An in-the-flesh icon overwhelmed the old hippie psychobabble of "The Legend of Bagger Vance."
But they did make a movie out of "The Legend of Bagger Vance" — "Time [Magazine] called it one of the most 'embarrassing' films of recent years for its treatment of African Americans and the use of a 'Magical African-American Friend.'"
Matt Damon's magical friend was, of course, Will Smith:
Mga Post
