"Across the seven sheds, each with their own atmosphere and theme, are life size, lifelike figures and animals, as well as miniatures, tableaux of found objects, ladders, old papers..."

"... boxes, buckets, complex assemblages of forms and materials, some indecipherable and unfinished. The workshop shed shows the scale and breadth of Exworth’s technical acuity and thinking – everything from drills, jigsaws, sanders and glass cutters to grinders, putty and tiny paintbrushes.... 'For me, he was a really genuine artist – solving problems about how to make things. He was engaged in the activity of making, and found that far more rewarding than presenting it. Ray was just engrossed every day in how to move forward and make something.'"

From "'The door slid open and my jaw dropped': the astonishing sculptures only ever seen by 20 people/Ray Exworth spent his life filling Cornish sheds with breathtaking sculptures – but wouldn’t let anyone in to view them. Now, after his death, his secret body of work has been revealed" (The Guardian).