"The performance turned out to be a string of gags about Bankman-Fried’s and Diddy’s sins that largely spared Mangione of the worst ridicule."

"It instead featured running jokes about how parts of the internet find him attractive, while the titular character is gifted love ballads, literally and metaphorically. His cast members call him a 'prodigy' and a 'legend.' His response: 'I’m not a celebrity. I’m just a normal, exceedingly handsome guy. To make matters worse, they all sing...."

From "'Luigi: The Musical' is a fever dream from hell/The show isn’t meant to 'glorify violence,' but it does. The protesters outside, meanwhile, think it doesn’t go far enough" (WaPo)(gift link).

"The musical has a bare-bones plot, practically no choreography and nothing in the way of a set apart from a couple of chairs and one prop, a gun. All that could be forgiven in a staged reading, but what is glaringly absent is any serious mention of [Brian] Thompson’s name or the wife and two sons he left behind. It’s clear the show’s creators think they have tapped into some profound observation of the nihilistic trends running through today’s culture: our numb responses to mass violence, the disintegration of societal trust. 'What kind of sick f---- would buy tickets to something like that?,' the characters lament onstage about the musical, in what’s meant to be a self-critical, meta moment...."