"But during the Globe’s first Shakespeare and Race Festival... she hosted a workshop in the theater with actors of color and learned how they were disadvantaged by some of the set and lighting design decisions."

"'What we have proved subsequently is that it does not work for actors of the global majority,' she said, using the Globe’s preferred language to describe actors of color. 'It feels like a space of empire.' With this in mind, the Globe has plans to change the design when it raises the money, repainting the space in a lighter hue and reconsidering the Renaissance-inspired ceiling mural that depicts the white-skinned goddess of the moon surrounded by similarly complexioned cherubs...."

From "This scholar is pulling back the curtain on race in Shakespeare/Farah Karim-Cooper argues that the Bard has a race problem. But that doesn’t mean we have to love him less" (WaPo).

"Like King Lear riding out a storm, advocates of race-conscious Shakespeare scholarship and performance have weathered a torrent of criticism from those who see their work as unconventional at best and heretical at worst. But Lear, exhausted by his surroundings and maddened by injustice, resigns to silence. 'No, I will be the pattern of all patience,' he decides mid-tempest. 'I will say nothing.'"

This is the first time I'm noticing the term "of the global majority." According to Wikipedia, the term was chosen "to challenge the normativity of a white majority or Eurocentric perspective." By excluding white people from a set that includes every other kind of people, you arrive at a majority. We're told the term has also been criticized because "It does not include white ethnic groups that are cultural minorities in white majority societies, such as Irish, Jews, and travellers in the United Kingdom."