"When I was about 10 years old, my mother became interested in the idea of the divine feminine, specifically centering spirituality on women..."

"...rather than the patriarchal notion of a male god.... Judging from the attendees of the goddess fairs in hotel ballrooms I was also taken to, this was a fairly White, progressive and privileged group of women. It served as a kind of spiritual extension of the women’s liberation movement of the 1970s, parallel to feminism. Men soon started to realize that they, too, had a gender to consider, and the men’s movement took off in the ’70s and ’80s. It manifested in three expressions, says Cliff Leek, assistant professor of sociology at the University of Northern Colorado and vice president of the American Men’s Studies Association: 'You get pro-feminist [men’s] groups that do work around reproductive health and sexual violence; and, on the other end of the spectrum, men’s rights groups that say, "We are gendered and the system is out to get us." The middle way is the mythopoetic: tying masculinity back to the sacred and mythological.' The prevailing figure in the mythopoetic movement is the poet Robert Bly. In 1990, Bly, who was in his 60s (he’s now 94), published 'Iron John: A Book About Men,' which includes lines like, 'Where a man’s wound is, that is where his genius will be.' Bly’s idea, told through Jung-influenced archetypes and fairy tales, was that men had been robbed of true masculinity via emotionally withholding fathers who raised soft sons. With some reflection — and maybe some banging on drums with other dudes in the forest — they could reclaim their inner Zeuses and thrive."

Cherry-picked right from the center of "QAnon’s Unexpected Roots in New Age Spirituality/Masculinity, faith and the strange convergence of counterculture and hate" by Marisa Meltzer (WaPo).