2. Angelina Jolie reflects on her performance as Alexander's mother:
"I connected to her as a mother. I don't think I could have played her if I wasn't a mother... As a mother, I truly understand that you will do anything to protect your child. Yes, she is a dark, wicked person, but as an actress, you have to make the audience believe that her motives were pure. She always put her son first."Judging from this article, motherhood has totally undermined the once-great entertainment value of Jolie's private life. Oh, well.
3. Here's quite a sentence from Anthony Lane's review in The New Yorker:
Farrell comes across here as twitchy, straw-haired, and buzzing with sexual mystification, as if he had researched the life of Anne Heche by mistake, and he seems bewildered by the film’s demands, uncertain whether to opt for a stiff-backed action man—an unironic legend, the sort of role that nobody has been able to master since Charlton Heston retired—or a tortured, more modern spirit, his taste for love dulled by his addiction to fame4. The bogus homophobia angle appears in the Philippines press:
Would a big sector of our society raise hell about the film if it did not present without doubt the sexual and love choices of Alexander, the man? Look at all the tirades, they all point to things like the shaved legs of Farrell, his blonde locks and how they are wrongly dyed. One smells here the ether of homophobia rather than the essence of good taste.Is anyone raising hell? I'm sure Stone dearly wishes hell had been raised.
5. Colin Farrell raises some hopes about the DVD version:
“I have no problem showing my ****,” says Farrell. “In fact, I did go naked in A Home at the End of the World, but they cut it out. During test audience screenings, they were advised it was too distracting. I don't know. I see my **** every day and am not distracted. But, hey, who knows? Maybe you'll get to see it in the uncut DVD version.”
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