14 నవంబర్, 2020
"The wheel's still in spin."
No nudes is good nudes.
The fourth-floor gallery, with a mix of what most people would recognize as Pop Art, was previously “From Soup Cans to Flying Saucers” and is now “Domestic Disruption.”... This gallery... is far less discombobulated than its previous iteration, corroborating more convincingly the internationalism that is a recurring subtext on this floor. Tom Wesselmann’s scaled up “Still Life #57” (1969-70) is one of his best installation paintings, not least for containing no nudes. It is in dialogue with Noah Purifoy’s “Unknown,” a balletic assemblage-painting in which a parasol armature radiates across saturated bands of green, yellow and red. To the other side stands Beatriz González’s “Lullaby,” a metal baby crib, painted enamel green with an appropriated image of mother and child.
"Still Life #57" — which you can see here — is a very large painting of a radio, an orange, and some daffodils. But longtime museumgoers almost certainly associate Wesselmann with vivid, forthright "Great American Nudes" like this one, "Great American Nude #75."
Now, the nudes are banished, the galleries are rearranged, Wesselmann will be known by an orange (instead of the orange's shape-mate, the breast), and it must be "in dialogue" with an African-American man's balletic parasol and a Hispanic woman's crib.
I'm not looking at it, but it sounds like ham-handed inclusiveness. It sounds as though the white man is still the center of power: The arrangement seems like an exercise in diluting and offsetting him. That, ironically, is an expression of a deep, persistent belief in white male supremacy.
Loser.
"The very intensity of Justice Alito’s remarks seems to me to confirm my judgment about who won the culture wars. His are in fact the observations of a person who hasn’t come to grips with the fact that he’s been on the losing side of many culture war issues."
The question we face is whether our society will be inclusive enough to tolerate people with unpopular religious beliefs. Over the years, I have sat on cases involving the rights of many religious minorities — Muslim police officers whose religion required them to have beards, a Native American who wanted to keep a bear for religious services, a Jewish prisoner who tried to organize a Torah study group....
A Harvard Law School Professor provided a different vision of a future America. He candidly wrote, quote, the culture wars are over, they lost we won. The question now is how to deal with the losers in the culture wars. My own judgment is the taking a hard line you lost live with it is better than trying to accommodate the losers, taking a hard line seem to work reasonably well in Germany and Japan after 1945. Is our country going to follow that course? To quote a popular Nobel laureate, "It's not dark yet, but it's getting there."
Alito seems to like to refer to people without naming them. The "Harvard Law School Professor" was Mark Tushnet. Who was the Nobel laureate?
... don’t speak too soonFor the wheel’s still in spinAnd there’s no tellin’ who that it’s namin’For the loser now will be later to winFor the times they are a-changin’
"I am quietly horrified by how fashionable it is to demean men in the academic setting and popular press. I heard a faculty colleague laughing about all the 'mediocre white men' in our shared course and it broke my heart, because even white men are people too."
"The war on childhood obesity reached its zenith with the 2010 introduction of the national 'Let’s Move!' campaign, 'dedicated to solving the problem of obesity within a generation.'"
"And their eyes — wow, it was like someone turned the lights on."
The image is from Earl Shaffer's Appalachian Hike Diary (1948), every page of which you can see at that link, at the Smithsonian website.
I'm reading about Shaffer this morning in "Walking off the War on the Appalachian Trail," a new article at Gaia GPS. The author is Abby Levene.
Shaffer was the first person to through-hike the Appalachian Trail:He travelled alone, walking around 17 miles a day. Shaffer packed light. He nixed a tent when he realized his poncho could double as a shelter. He mended his clothes, and cooked cornbread in a pan over an open fire. Shaffer made it over the rocks, roots, and rubble in just one pair of Russell Moccasin Company “Birdshooter” boots. He resoled them twice, and they were in tatters by the end.
13 నవంబర్, 2020
"That's just an alabai."
"A two-judge panel of the U.S. Court of Appeals for the First Circuit found that Harvard’s race-conscious admissions process does not violate civil rights law..."
"Approximate heights of various notable statues."
"1. Statue of Unity 240 m (790 ft) (incl. 58 m (190 ft) base) 2. Spring Temple Buddha 153 m (502 ft) (incl. 25 m (82 ft) pedestal and 20 m (66 ft) throne) 3. Statue of Liberty 93 m (305 ft) (incl. 47 m (154 ft) pedestal) 4. The Motherland Calls 87 m (285 ft) (incl. 2 m (6 ft 7 in) pedestal) 5. Christ the Redeemer 38 m (125 ft) (incl. 8 m (26 ft) pedestal) 6. Michelangelo's David 5.17 m (17.0 ft) (excl. 2.5 m (8 ft 2 in) plinth)"
From the Wikipedia article on the Statue of Unity, the tallest statue in the world. I got there from Wikipedia's list of tallest statues in the world, which I was reading because we're talking this morning about a 19 foot tall statue of a dog.
That dog is in Turkmenistan, and it's quite big for a dog statue — the Balto statue in NY's Central Park is closer to actual-dog size — but a statue has to be at least 98 feet tall to get on the "tallest statues" list, so the Turkmenistan dog falls way short.
Nearly all the statues on that list depict human beings (or dieties that look human). But there are a few nonhuman animals. If I read the list accurately, the tallest statue that doesn't have a human — or part-human — form is a merlion (in Singapore). No dog statues on the list.
Look how shrimpy the Statue of Liberty and Christ the Redeemer look juxaposed to the Statue of Unity and the Spring Temple Buddha. But in the real world, these statues are not near any other statues, so the sense of scale comes from the landscape (or harborscape) around them.
I haven't visited too many colossi, and I don't know if I want to. I've gazed at the Statue of Liberty thousands of times, but I didn't care about taking a boat up to the island to get close to it and experience my tininess in contrast to the thing. I did it once, to go along with others. I'm resistant to exaggerated size. Make it beautiful before you make it big. Bigness as goodness, I reject.
"'He knows it’s over,' one adviser said. But instead of conceding, they said, he is floating one improbable scenario after another for staying in office..."
Suddenly, everyone's interested in Leta Powell Drake — when people in Lincoln, Nebraska have watched her interview celebrities for 40 years.
Now, Vulture has a interview with her. Excerpts:Currently obsessed with Leta Powell Drake, the greatest interviewer of all time. pic.twitter.com/3oCYAd9vZD
— John Frankensteiner (@JFrankensteiner) November 12, 2020
So... humor has not died. I question whether it's "too funny." But who cares? At least we're not too uptight to make jokes... or at least only if they are anti-Trump...
In light of tonight’s news....
— Meghan McCain (@MeghanMcCain) November 13, 2020
*sorry I had to, the meme is too funny. pic.twitter.com/lo6xHqCbk0




