"No sooner had we had that first dinner at the White House, which is a very seductive and beautiful place..."

"... Bill [Mayer] wanted to come back. The Gofer called me multiple times, saying how much Bill loves me, that he respects me more than anybody, and wants to come back for a second meeting... Also, I wanted to tell Bill that he’s a major POTHEAD. He’s got to stop, it’s very bad for his health. He looked like hell this time. Bill was drunk and had alcohol in his hand as he walked through the White House. Stephen A. Smith and Kid Rock came along with him.... After the first dinner, Bill Maher was friendly, I guess, everyone walked away pleased. He gave me a good first show, with lots of Laughing Machine laughter, which is a real term, but it is what it is, and then reverted back to his former self, and his old ways. I understand that. He’s doing his thing. I never took it very personally. I would always mock his Low Ratings, whenever I heard. He’s not a nice guy, and what he spouts isn’t what he believes. He has to cater to his base, which is mostly composed of Losers, and people who don’t like working...."

A snippet from Trump's long Truth Social post about his second dinner with Bill Maher, which he's writing only after Bill Maher talked about the dinner on his show last Friday.

Here's a little of what Bill said that irked Trump so much:

And here's some coverage of the dinner that preceded Bill Maher's show. It's from "The View," but it include clips of Trump saying everything was great:

The Art of the Baseball.

Apollo and Daphne, by Daniel Seiter, 1675-99, 📸 by Jeff Phelps https://t.co/kzcgBxN1eh

— ArtButMakeItSports (@ArtButSports) October 25, 2026

I like this ArtButMakeItSports X account:

And look at that NYT "Connections" image.

Sunrise.

The heron at dawn.

We see this heron every morning — lately — at a place I call the AVP (alternative vantage point). Now, we feel he knows us and waits for us. Before, he'd been standing rooted to one spot quite near the shore, undisturbed by our approach. There was an aura of mutual respect and trust. But this morning, as we walked up to where we would first see him, he flew up and crossed right in front of us. It was glorious! Then he landed right over there, where you see him in the photo, and he remained rooted there, posing for all our pictures.

Here's Meade's video:

Does Obama even know what cheesecake is?

I've listened to this 20 times:

I believe he's trying to talk like a standup comedian. I feel as though he's been coached on how to sound like a standup comedian who is also the Obama who once presided over what's now supposed to be remembered as a golden age.

That's not easy, but when he gets to his big punchline — "He's got the White House looking like Saddam Hussein opened a Cheesecake Factory" — it's like he doesn't even know what cheesecake is let alone have any familiarity with the restaurant chain a lot of Americans regard as a pretty nice place to go out to eat.

He went.

"We need to get a system that can get that right." Broadcaster Joe Davis reacts to the swing call that ended Game 2 of the World Series https://t.co/9IXmVGNPlC

— Talkin' Baseball (@TalkinBaseball_) October 25, 2026

The MLB rule book does not define a "swing" or "checked swing." It is 100% the umpire's judgment. But just about every accepted understanding makes that swing. The barrel of his bat was through the hitting zone -- past parallel to the front of the plate. Had the ball struck the bat it would have gone into fair territory. That's no different than a bunt attempt that isn't pulled back in time.

— Shipwreckedcrew (@shipwreckedcrew) October 25, 2026

"That [burned Limoges] City Hall is at the epicenter of generations of struggle. It's not connected to how I fancy croissants and brie..."

"... and red wine but all I can find now is kebab in a shop blaring rap.... We should be alert to how the history of struggle is obscured by the reactionary and racist commodification of nostalgia and tourism."

"Whereas clowns were naive idiots, bouffons savagely undermined the people in power."

"They were doing something important: using biting and at times cruel humor to undermine systemic injustice. It’s what satirists have done throughout history.... Ali G is a white imbecile—a delusional cultural appropriator—who steals the fashion and lyrics from his favorite gangsta rap and dancehall idols, from Compton to Kingston.... Like a good bouffon, he undermines that establishment—not the culture he loves and borrows from.... Each of my characters has a specific mechanism to encourage people to drop their guards and show what they really believe, prejudices and all. Borat, an antisemitic journalist, exposes Jew hatred, xeno­phobia, sexism, and casual racism. Erran Morad, a stereotype of a tough-guy Israeli commando—'I’ve been in 14 terror attacks,' he says in my new movie Ali G: Who Iz I?, 'and started two'—exposes Islamophobia.... Ali G works on another level. He’s not extreme—he’s just extremely dumb. But his absurd questions lead powerful people to underestimate him and answer in earnest, revealing their own biases...."

Writes Sacha Baron Cohen, in "Why Satire Is No Laughing Matter" (Time). 

According to Baron Cohen, the "bouffon" is a "tradition dated back to 11th century France, where societal outcasts—gay people, heretics, those with deformities—would be let back into their villages once a year to put on shows viciously mocking the ruling class."

I noticed that Time essay because of "What to Know About ‘Ali G: Who Iz I?’ Sacha Baron Cohen has revived his fictional wannabe rapper in a new movie that will be in theaters for just this weekend. Here’s what to know" (NYT).

Here's an excerpt from that (showing why Baron Cohen is highly motivated to justify his continuation of the Ali G character):

"A few years ago, I had the rather rudimentary realization that my aversion to being cold was causing me to shrink my life to fit within the walls of my apartment during winter."

"I’d decline invitations, measuring the worthiness of an activity by its proximity to a thermostat. When I realized being cold is not an emergency — it’s just discomfort, and discomfort can be tolerated — I got a better winter coat and stopped dreading February so much.

I'm reading "Outside Chance/We’ve plunged fully into fall, complete with cozy scarves and puffy vests. Why not venture into the woods?" — by Melissa Kirsch, who draws a distinction between being "outdoorsy" and "outsidey."

The movie I'd like to see is "My Dinner with Robert."

I'm picturing a "My Dinner with Andre" style conversation in a restaurant, and it's Billy Corgan and Robert Smith.

My dream is inspired by something Corgan said in the Popcast podcast at "Billy Corgan Unloads After a Lifetime of 'Mocking, Bullying, Laughing'" (NYT)(audio and transcript):

[W]e were told at some point in the early 2000s that those types of songs with those types of themes were no longer relevant, and off they went. That it was too complicated. The Cure had the same problem. I’ve been friends with Robert [Smith] for many years, and we would sit there somewhere in the early 2000s over a Chinese meal and lament, like, what the hell happened? This emotionally resonant music just seems like it’s been shoved aside by sociopathic influencers with kind of one-note music.... When they sold out alternative ethos for pop domination — in essence, celebrating Rihanna as an alternative star and wiping Siouxsie [Sioux] off the map — that to me was the great betrayal of the alternative ethos. So suddenly all the things that make alternative music so beautiful — the messiness, the dissonance, the out-of-tune guitars — it was like, nah, that’s just too messy. We don’t have time for that anymore. I started literally comparing the guitar in interviews to the saxophone....

There they are, Corgan and Smith in a Chinese restaurant, puzzling out what the hell happened. It's the Wally/Andre situation. There was an art form. It was vital and they were in the center of it, and where are they now? What happened?