"You are all Goebbels! Goebbels would be proud!" shouts Jack Posobiec at the players and audience at the "Julius Caesar" performance in Central Park last night.

We see him at the end of the video he is making of his partner-in-protest Laura Loomer, who barged up onto the stage yelling about "political violence against the right." "It's unacceptable!" she instructs. She gets 6 seconds before the voice on the loudspeaker takes control, announcing "Ladies and gentlemen, we're going to pause," and after half a minute security has hustled her off the stage.

The "Julius Caesar" performance is the one with a Trump lookalike playing Caesar and getting stabbed to death on stage.

Here's some more information about about Prosobiec and Loomer. They both work at The Rebel. She's been a reporter for Project Veritas. He got a lot of attention in this New Yorker piece, "The Far-Right American Nationalist Who Tweeted #MacronLeaks" (May 7, 2017):

Jack Posobiec is the bureau chief and sole employee of the Washington, D.C., office of the Rebel, a Canadian media outlet that specializes in far-right video commentary. Last weekend, I met him at a Peet’s Coffee a few blocks from the White House. He told me, “As a journalist, I use all the tools at my disposal”—mostly YouTube, Periscope, and Twitter—“to seek the truth and disseminate the truth. That’s the purpose of journalism, right? At the same time, I also do what I call 4-D journalism, meaning that I’m willing to break the fourth wall. I’m willing to walk into an anti-Trump march and start chanting anti-Clinton stuff—to make something happen, and then cover what happens. So, activism tactics mixed with traditional journalism tactics.”

They broke the 4th wall* last night.

When is it acceptable to disrupt a performance and appropriate an audience that did not assemble to hear your message?

And who, if anyone, was "like Goebbels" last night? (We've seen so much of the left calling the right Nazis, and this shows Nazi-calling goes both ways.)

ADDED: Interrupting the players and even getting on stage with them is traditional:

Since most theatre performances were often three hours long... the behavior of the audience became very rowdy, the audiences did not keep quiet, or arrive on time, or remain for the whole performance they would simply get up and leave whenever they felt like it. They joined in on the action occurring on stage, interrupted the actors, and even sometimes got on the stage. They also talked during dull moments, and threw rotting vegetables, especially tomatoes at the actors...

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* "Breaking the 4th wall" normally refers to the actors deviating from the theatrical convention of behaving as if they're in a 4-sided box and the audience isn't there. It's something the playwright or the director chooses to make part of the show. It's presumptuous for someone not connected with the show to take it upon himself (or herself) to break the wall. I've seen plays where it looks like that's happening, where one of the actors is seated in the audience and he starts heckling the play and getting a response from the actors on stage and it takes a little while to realize that's part of the play.